QUINTESSENTIALLY | Insider | 2009 December

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Archive for December, 2009

Riffin’ at the Griffin

Tuesday, December 15th, 2009

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One of the serious perks about working at Quintessentially is taking out potential members and showing them why they should join. Last weekend I took out a client to The Griffin in the Meatpacking District. We had an amazing night, the music was fantastic, the crowd was gorgeous- the club is frequented by an eclectic mix of celebrities, artists and designers, and we found it a great place to indulge in some serious people watching.

Inspired by the late 19th century, the interior is filled with velvet sofas, gilded tables and antique mirrors, and this beautiful upscale cocktail lounge is dominated by a huge glittering chandelier. Guests can enjoy a sophisticated night out, and enjoy the impeccable service. The champagne (and tequila shots) flowed freely, danced all night and are now preparing ourselves for the next big night out- New Year’s Eve: it promises to be a brilliant night of fun.

Incidentally whilst at The Griffin, I bumped into the former owner of Bijoux, an old personal favorite which closed before the summer. He is about to launch a sexy new lounge in the Hotel Gansevoort called Provocateur, as well as another PM lounge in February. The nightlife scene in New York looks set to improve still further- watch out 2009 hotspots, your days may be numbered.

www.thegriffinny.com

Out Of This World

Tuesday, December 15th, 2009

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12 years after he won 11 Oscars for Titanic, and proclaimed himself ‘King Of The World’, everyone’s favourite high-stakes auteur James Cameron returns with a quiet, introspective drama, somewhat reminiscent of Bergman…OK, that isn’t at all true. Avatar, which represents Cameron’s grand return to cinema, has been breathlessly hyped as ‘the second coming of film’, a claim which seems absurd and misleading until you actually see the grand vision that has been put on screen. There are images here that are indelible, and unlike anything else you’ve ever seen.

The plot is more or less a means to an end to showcase these remarkable visual effects. Jake Sully (Sam Worthington) is a crippled ex-marine who is recruited to act as an avatar – literally, to assume another body – belonging to a 12-foot humanoid being called a Na’vi, whose planet Pandora is rich in natural resources that his employers wish to exploit for their own purposes. Sully firstly takes to his new body with a kind of gleeful abandon, but soon comes to develop an affinity for the Na’vi people, in particular Neytiri (Zoe Saldana, seen earlier this year in Star Trek), a princess. Eventually, the time must come for Sully to decide which side he is on.

Some might carp at the way that Cameron’s admittedly broad brush style of writing means that subtle instances of character and plot are largely ignored. But this is grand, epic filmmaking, on a par with Titanic or Lord Of The Rings, and seems guaranteed to be one of the year’s biggest box office hits. For the full effect, see it in 3D, preferably at an IMAX screen, and let yourself be transported.

Out 17 December.

The Saatchi Factor

Monday, December 14th, 2009

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As The X Factor finishes, so does the Saatchi Factor. The winner of the BBC programme School of Saatchi is set to be revealed. From the six budding artists, only one will be part of the ‘Newspeak: British Art Now’ exhibition at the Hermitage and enjoy a free three year lease of their own studio.

Saatchi’s right-hand woman, Rebecca Wilson, says “the aim was not for something where every week somebody would get thrown out of the art competition” but she explains that the six were chosen for their potential to develop over a 10-week period. It’s neck and neck at the moment between Saad Qureshi, at the Slade school of fine art and Matt Clark, a Central St. Martins graduate.

Qureshi produced a thoroughly Saatchi-esque piece last week, as towers of home-made chapattis were lain on a rug much to the surprise of Sudeley Castle chatelaine Lady Ashcombe. Sudeley played host to the rising stars for last week’s commission, which was highly entertaining, if only for the public’s reactions – ‘I wouldn’t want to wake up to that on my wall’ and so on. Qureshi’s work was typically Saatchi, of bold scale, high impact visuals and unexpected use of materials, was said to have been highlighted by the ever-elusive godfather of contemporary art himself.

Matt Clark filled a glass bowl with red liquid, which, with a prism inside, was hung from the ceiling of Sudeley Castle’s chapel. The reflection of the surrounding stained glass windows through the highly reflective sphere was splendid – the simplicity of form, deep colour and rich associative suggestions worked brilliantly together. Clark has consistently produced thoughtful and mature works over the course of the programme without resorting to attention grabbing statements, heart-tugging storylines or complex techno wizardry.

Patron or player? Utterly genuine in his support for emerging artists, let’s not forget the overall winner here is the ever-absent Saatchi himself. As Matthew Collings, critic and panellists on the show observed, “he’s not a saint, he wants the public to pay attention to him and take notice of him.” Tick!

Image by BBC/Princess Productions/Katie Hyams

Bryn Williams- London’s next big thing?

Monday, December 14th, 2009

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Bryn Williams shot to fame following his success in the TV series The Great British Menu in 2006. He has worked in a number of top London restaurants for the last 12 years, and is currently head chef and proprietor of the Primrose Hill institution, Odette’s. We caught up with him to discuss his career to date.

You took over as proprietor of Odette’s just over a year ago now. How has the first year been for you?
Going from a chef to a restaurateur you become a businessman overnight. Suddenly you have to think about the bigger picture outside the kitchen. The credit crunch hit literally weeks after I took over at Odette’s and after a couple of weeks I thought I was crazy. As a chef already doing 17 hour days I didn’t think it was possible to work any harder but when you are in charge you start to notice every detail, every light bulb.

How does the iconic status of Odette’s affect your decisions?
I owe a duty to the restaurant and its name. Lots of big chefs have worked here over the years. This place has heard some phenomenal stories; if the walls could talk and you made a book from what they had to say, you could make millions.

How do you feel about being a ‘celebrity chef’? What do you think about the term in general?
I don’t like the tag ‘celebrity chef’. Today anyone on TV gets called a celebrity, but I don’t think there are many celebrities who work 8am to midnight six days a week all year. Chefs use television programmes to advertise themselves, to bring people to their restaurants and to inspire people to cook.

You won the Great British Menu and cooked for the Queen, what do you think about competitive cookery programmes?
The Great British Menu was a very lucky break; it was my five minutes of fame. It was such a great opportunity to have five million people watching you. People say that the competition really turned my career around, but that’s so untrue. Nothing happens overnight; you have to put all your efforts into getting to the best place possible by yourself.

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Who were your main inspirations?
Marco Pierre White. He’s a great chef, one of the greatest of his generation. Working with a world class chef is a great learning experience. You just have try to absorb as much knowledge as possible, and tap into their way of thinking.

What do you think of the restaurant scene in London?
London has one of the best selections of restaurants in the world. Personally I like Japanese. Roka on Charlotte Street is great. But I’m as happy going to an Indian on Brick Lane or to somewhere like Marcus Wareing if I’m looking for a great experience. I come away from there inspired to do something new on my own menu.

What are your plans for the future? Anything special planned for Christmas and New Year?
On New Year’s Eve we have a special eight course menu. On New Year’s Eve most of our customers have their dinner, head up Primrose Hill and watch the fireworks all over London. The atmosphere here is really fantastic.

At some point, I’d like to open somewhere in North Wales, a good pub- but not a gastropub- somewhere serving proper food like fish and chips and pies. One day I’d also like another restaurant in London as well but not necessarily a fine dining one, but I need at least another 12 months at Odette’s making sure everything is working at its best.

I’m hoping to get some kind of holiday over Christmas, I’ll probably go diving somewhere. At work I’m constantly dealing with people for over 12 hours every day, there’s always someone who wants my attention. That’s why I love diving, when I’m under water no one can talk to me.

First amongst equals in Monte Carlo

Thursday, December 10th, 2009

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With temperatures in Britain plunging, it didn’t take much encouragement for me to head off to Monaco for a couple of days in late November for (comparatively) balmy 18 degree heat and to soak up the luxurious glamour that the world’s smallest principality is famous for. Everyone confuses Monaco and Monte Carlo. Broadly speaking, the latter is a small part of the city, most famous for its luxurious five-star hotels, casino and lavish Michelin-starred restaurants, as well as being home to countless millionaires.

First among equals in the high-end hotel scene in Monte Carlo is the stunning Hotel Metropole, which was extensively renovated a few years ago and now has managed to pull off the rare combination of a grand and lavish luxury hotel with attentive and personal service. The rooms are all exquisitely decorated, with countless civilised touches, from the iPod docks by the beds that double as alarm clocks to the marble bathrooms. It makes for a wonderfully relaxing base to stay before heading out on a trip to the Casino (to which guests get free admission) or the city’s cultural highlights.

One of the keys to the hotel’s artistic success, and why no two visits are ever likely to be exactly the same, is the way in which it’s constantly reinventing itself according to season with new themes. The current one, masterminded by design supremo Maud Lesur, is ‘A Christmas Ballet’, which builds on the legendary work of the Ballets Russes and their creator Serge Diaghilev to give the hotel a gloriously warm feel of white and gold, allowing the public spaces to sparkle with pearls.

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That said, there’s not much about the hotel that doesn’t sparkle anyway. The culinary highs include a 2 Michelin-starred Joel Robuchon restaurant, which is every bit as magnificent as you’d expect – the best view into the kitchen comes from the chef’s table, which allows you to see the artistry going into such dishes as milk-fed lamb stew and scallops cooked in seaweed butter, as well as Robuchon’s signature melt-in-mouth mashed potato. His other restaurant, which opened at the end of 2008, is Yoshi, where the food is overseen by ace Japanese chef Takeo Yamazaki. Highlights amongst the sumptuous sashimi and sushi include some of the best black cod you’re likely to have outside of Japan, as well as some sensational wagyu beef.

There’s plenty more at the Metropole to rave about, whether it’s the ESPA spa, the sumptuous afternoon teas, the amazing cocktails (the Royal Peach Mojito being first amongst equals) or the endlessly friendly staff, but, briefly, take our word for it and go. You won’t be disappointed.

4, avenue de la Madone, Monaco. www.metropole.com/en/

If you’re travelling to Monte Carlo, the easiest way is to fly with BA, who have six flights a day between London and Nice, five from Heathrow and one from London City. Fares start at £137.90, including all taxes and charges. If you’re travelling Club Europe, you can expect BA’s usual excellent service onboard, including a complimentary meal and champagne, as well as access to the Galleries Lounge in T5 beforehand.

Halfway between Heaven and Hell

Thursday, December 10th, 2009

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Camille O’Sullivan, a half-French, half-Irish chanteuse, has enjoyed a meteoric rise to fame over the past couple of years. Reviews regularly attest to her magnetism, wit, astonishing stage presence and striking singing voice, as she performs modern cabaret versions of songs by artists as eclectic as David Bowie, Nick Cave, Jacques Brel and, most memorably of all, Nine Inch Nails, a version of whose ‘Hurt’ she performs and which rivals Johnny Cash’s for passion and drama.

She’s now doing a short run of shows in the West End, as part of her ‘Dark Angel’ performance, and she really is an unmissable live performer, combining old-fashioned allure with breathtaking versatility. Backed by her superb band, she can move between Weimar-era cabaret pomp, unaccompanied and highly moving renditions of heartbreakingly sad ballads and epic widescreen drama, and then get the audience laughing heartily between songs at her witty banter. A well-attended first night performance saw the great and the good, including Russell Brand and Frank Skinner, come to pay homage, but there was no doubt as to who the star attraction is.

Until January 16 2010. Apollo Shaftesbury Avenue, London W1. www.camilleosullivan.com

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