QUINTESSENTIALLY | Insider | 2010 January

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Archive for January, 2010

‘Alice’ Days

Friday, January 29th, 2010

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January sales over, winter blues setting in? There’s only one thing to do – daydream of sun drenched days, Cote d’Azur skies and flower filled meadows…As we muddle our way through the winter/spring wardrobe limbo-land there’s a ray of hope on the horizon, a yellow brick road if you will, in the form of ‘Alice,’ the much anticipated diffusion line from the gypset style setter, Alice Temperley herself.

Renowned for her uber-luxe materials, intricate decorative beading and delicate embroidery, the new range will be simpler, more wearable and a little kinder to the bank balance. The entire collection is every girl’s must-have summer holiday wardrobe, in fact the whole idea came to fruition from a collection of Alice’s girlfriends, who piled together their favourite things to take away, their desert-island essentials. And so the basic components of the Alice summer capsule – stripes, denim, broderie anglaise – came to the fore.

Each has been styled and shaped the Temperley way though, infusing them with her signatory ultra-feminine, quintessential Englishness so look out for cute stripey t-shirt dresses, loudly printed playsuits, beautifully cut leather jackets. Some pieces have been enticingly named after her super hip, fashionista friends – think ‘the Jax,’ (pictured) ‘the Laura’ etc …along as there’s not a ‘Cherie’ amongst it all, she’s definitely onto a winner. Bring on those long ‘Alice’ days.

See more at www.temperleylondon.com

Stylish Boutique Chic

Friday, January 29th, 2010

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Cambridge is a favourite destination for visitors, and it’s not hard to see why, with its dreaming spires, punting, great culture and restaurants and historic attractions. An area that it isn’t so renowned for is its accommodation, which consists mainly of anonymous chain hotels. Therefore, the stylish boutique Hotel Felix is a breath of very fresh air, offering a combination of comfort and sophistication and single-handedly establishing itself as the town’s best hotel.

Although it’s located a little way outside the centre, on the otherwise undistinguished Huntingdon Road, it’s well worth the short journey there, as the friendly welcome and more than helpful staff soon make any visitor feel welcome. The rooms are decorated and designed in tastefully opulent modern-boutique style, with the usual gorgeously comfortable, Egyptian cotton-sheeted beds, and are split between some in the original Victorian house that the building inhabits and some discreet modern extensions.

No visit here is complete without going to the double AA-rosetted Graffiti restaurant, which offers a range of Mediterranean-accented dishes without pretension or fuss, preferring to concentrate on top quality locally sourced ingredients and some mildly innovative combinations. Highlights of the regularly changing and strongly seasonal menu include shellfish ceviche, a selection of delicious breads with various pesto and tapenade sauces, suckling pig served four ways and a wittily deconstructed black forest gateau. There’s also a good selection of wines by the glass at reasonable prices.

Next time that you’re anywhere near Cambridge, and fancy a great base from which to soak up the town’s culture and heritage, pick the Hotel Felix, and you’re unlikely to be disappointed.

Whitehouse Lane, Huntingdon Rd, Cambridge. www.hotelfelix.co.uk

Eastern Promise

Friday, January 29th, 2010

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The Sanderson hotel has deservedly maintained its reputation as one of London’s hippest joints, and the food and drink sides of the operation certainly live up to these high standards, whether it’s the perfectly stylish Long Bar (haunt of many a celebrity) or Suka, the much-acclaimed Malaysian restaurant that took over from the brief tenure of Alain Ducasse’s Spoon.

Suka – the one-syllable name a mark of the kind of company that all Asian or pan-Asian restaurants of quality like to keep – specialises in a selection of small-to-mid-sized portions of Malaysian food, beautifully cooked and presented, that are served up like tapas for diners to share. Dishes include such delights as sea bass in lemon chilli broth, thinly sliced sirloin steak, papaya and pork belly salad and scallop skewers. They recommend 3 plates apiece, but to be honest you’re better off ordering 4 or so each, as that gives you a fantastic overview of the menu.

The wine list has several excellent vintages at sensible prices, such as a very good 2004 Riesling from New Zealand, and there’s a suitably extravagant cocktail and spirits list. It can get a little noisy in the evenings – the price to pay for soaking up the fantastic atmosphere – so if you want a quieter and more contemplative meal, head here for lunch, where, in addition to the a la carte, there are some great value set tasting menus that allow an overview of the restaurant’s best dishes.

50 Berners St, London W1. www.sanderson.com/suka

Buddha’s Halo

Thursday, January 28th, 2010

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Knai Bang Chat’ is Cambodian for ‘rainbow encircling the sun’ and a Buddhist metaphor that denotes the halo around Buddha’s head. Such a moniker befits this modernist paradise, as much for its optical imagery as the artistic ‘enlightenment’ on display. Just to look at it you understand why so many other private residences have appeared close by. Kep – beach town and once summer playground of the French elite – is back in business.

On looking at it, you wonder who was responsible for such profound yet studied strangeness. The protégé, business partner and son of legendary antiques dealer Alex Vervoordt is partly to blame, along with the ingenuity of architect Francoise Lavielle. Boris Vervoordt grew up in his father’s antique-strewn castle, developing a ‘third eye’ for objects of value and a talent for synthesising old and new artistic forms with strident architectural set-pieces – a unique ‘something’ that the travel press are quick to cite as this lifestyle resort’s greatest asset.

The three houses that make up the Vervoordt compound is an amalgamation of everything Vervoordt loves most – his own definition of luxury if you like – with influences from Andrea Palladio and Luis Barragan among others. Inside you will find a playful orchestra of 12th-century artefacts and contemporary architecture, as beautiful a juxtaposition of classical mood and new-age panache as I have come across. Large villa terraces opening onto vanilla sunsets, fresh fish dining on an azure-swept private jetty and the most charming khmer service makes this the quintessential Bond hide-out. If luxury were a mixture, Vervoordt would call it the ‘perfect combination of happiness and freedom’. Knai Bang Chatt, similarly illustrated, mingles Vervoordt’s modernist conceptions of luxury with a good bit of sun and sea.

For more information, go to www.knaibangchatt.com

The (Park) Place To Be

Thursday, January 28th, 2010

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William Drabble is one of London’s most talented and able chefs, but perhaps because he’s not as much of a publicity magnet as your Ramsays or Wareings, his move from the Michelin-starred Aubergine (where, coincidentally, Ramsay began his career) to Seven Park Place, the new fine dining restaurant at the seriously swanky St James Hotel didn’t get as much fanfare as you might have expected. This almost self-effacing quality extends to the restaurant itself. Rather than a big, lavish dining room, the atmosphere is hushed and intimate, with only a couple of dozen covers in some small rooms adjoining the bar.

What this lacks in grandeur and pomp it more than makes up with in fireworks from the kitchen. Drabble’s cooking is not dissimilar to what he was doing at Aubergine, in terms of his synthesis of European and English influences, but by and large he eschews the usual Michelin fripperies of foams and reductions in favour of gutsier, heartier cooking. The six-course ‘menu gourmand’ – on our visit thankfully free of amuse bouches and pre-desserts – covers a remarkable amount of ground, with highlights including a sensational foie gras dish with butter beans and bacon, pan-fried sea bass with Jerusalem artichokes and a witty deconstruction of the pina colada at the end.

It’s a good idea to have this with the suggested matching wines, as this allows you to try some sensational pairings, such as the Grenache Sauvignon with a starter of scallop ceviche and a rich, gutsy German Pinot Noir with the sea bass, as well as a sensational Riesling with the foie gras. Service throughout is attentive, perhaps even too much so, but with an experience of this quality it’s always nice to feel looked after in the style that the food deserves.

7 Park Place, London SW1. www.stjamesclubandhotel.co.uk

Artistic Homage at the Saatchi Gallery

Thursday, January 28th, 2010

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However many times he gets it wrong, which is, it must be said, not that often, Charles Saatchi has undoubtedly offered an almighty platform of an exhibition space that exposes otherwise little-known works to millions each year.

With this in mind it is thanks to him that the mind-blowing piece ‘American Servicemen and Women Who Have Died in Iraq and Afghanistan (But not Including the Wounded, Nor the Iraqis nor the Afghanis)’ by the previously anonymous San Franciscan artist Emily Prince has a place to be see,n and deservedly so.

I cannot urge you enough to see for yourself this extraordinary homage to the human sacrifice that has been made by our fellow man. The scale itself, comprised of some 5213 pencil drawings to be precise, is enough to make anyone stop, stand and stare. Each drawing is an individual portrait with the serviceman/woman’s name, age and date of death written on above or below and have been arranged chronologically. On close inspection, the delicate draughtsmanship and attention to detail is clear. It is this sense of humanity that runs through the piece – a humanity that engages and speaks to our core. Proving that faddish special effect, big concepts and attention grabbing media are unnecessary in the name of art, Prince has taken on a brave and beautiful project that will only be complete on the last day of the war – when there are no more portraits to be drawn.

Image: Emily Prince ‘American Servicemen and women who have died in Iraq and Afghanistan (but not including the wounded nor the Iraqis nor the Afghans),’ 2004 – present, pencil on colour coded vellum. Courtesy of the Saatchi Gallery.

Look out for my write-up of The Empire Strikes Back: Indian Art Today later this week and don’t forget Quintessentially Art’s tour of the exhibition this coming Saturday 29th. To find out more email art@quintessentially.com

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