QUINTESSENTIALLY | Insider | 2010 January

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Archive for January, 2010

Lord of the Rings

Wednesday, January 27th, 2010

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Shaun Leane is to jewelry what Arthur Rimbaud was to poetry, Pablo Picasso to 20th-century art, Marlon Brando to the acting world….at least, that’s what the Delphic figures of high-fashion would have you believe. Sotheby’s, London’s leading auction house, has honoured his work with the epithet ‘antiques of the future’ while Alexander McQueen considers him a virtuoso of the art-form, collaborating with him for over 15 years to create some of the most iconic pieces to ever grace the female form.

Now celebrating his company’s 10th anniversary, Shaun has twice been a winner of the UK Jewellery Designer of the year. Some of his designs are now instantly recognisable as jaw-dropping, ‘I want one of those’ signature pieces like the jewel-encrusted interlocking rings and the hard-edged silver designs that are instant show-stoppers on catwalks from Paris to Miami. Then there are the tusk-like mouthpieces, moonstone-studded crescents, enamel heart lockets sheathed in gold thorn and lily-shaped Art Nouveau rings – all born from his fascination with ‘love and pain’, macabre statements that have been noticed, appreciated and increasingly esteemed by first London and then the world’s elite.

Moving away from the darkly romantic twilight regions (the Luna collection is all luminous light and shimmering surface contour) and alighting on lighter, more traditional shores, his latest offering is inspired by Japanese fairytales and features dazzling white and crimson flowers on delicate coils of silver branch. The magnum opus of the ‘Cherry Blossom’ collection is his own personal favourite, a modern-day hieroglyph of three cherry blossoms in different stages of bloom. Right now his muse is the tailored suit and navy patent shoe – how he can evoke love and pain from that couplet is anyone’s guess.

New Shaun Leane collections include: Aurora, Gypsy Moth, Luna, Cherry Blossom and Sabre. For more information and to view, visit www.shaunleane.com.

The Rake’s Progress

Tuesday, January 26th, 2010

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The Royal Opera House’s revival of Stravinsky’s The Rake’s Progress, with libretto by WH Auden and Chester Kallman and directed by Robert Lepage, met with mixed reviews on its first production in 2008, but this confident revival shows that any initial difficulties have been more than dealt with. With its mix of pointed satire, constantly intriguing neo-classical score and poetic wit, it has been extremely popular ever since its first production in 1947, and this suitably gutsy staging more than does credit to it.

Loosely based on Hogarth’s series of 18th century paintings that explored the decline and fall of a decadent wastrel, Stravinsky, Auden and Kallman instead focus on Tom Rakewell (Toby Spence), an amiable ne’er-do-well without a penny to his name who is in love with the similarly sweet Ann Trulove (Rosemary Joshua). The match looks doomed until he falls in with the enigmatic Nick Shadow (Kyle Ketelsen), who offers him vast fortunes from a mysterious ‘uncle’ and a suitably glitzy career in a world that Lepage evokes as 50s America.

The singing from all the leads, especially Ketelsen, is fine, and the conducting by Ingo Metzmacher is suitably energetic, responding to all the subtleties and ironic nods to neo-classicism in Stravinsky’s score. The costume and set designs are lavish and elaborate – at one point an inflatable caravan appears on stage – and if, finally, this isn’t the most profound of productions, it’s certainly one of the more enjoyable.

Royal Opera House, Bow Street WC2. Until 3 February. www.roh.org.uk

A True Sicilian Promise

Monday, January 25th, 2010

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Other than Gordon Ramsay and Angela Hartnett’s superb York & Albany and Ian Pengelley’s Gilgamesh, Camden is starved of really excellent places to dine, perhaps a side-effect of being a part of North London more keenly associated with trendy musicians and hip artists than culinary innovation. Three cheers, then, for the excellent Caponata, a superb neighbourhood Italian restaurant that sits on the site of the late, lamented Cafe Delancey, but offers an altogether different culinary experience.

You have a choice of either eating in the informal osteria and bar on the ground floor, which offers delicious and informal snacks and aperitivo bites, or upstairs in the more grown-up dining room, where the cuisine is Sicilian, the service slick and friendly, and the clientele relieved that they have found somewhere as good as this in Camden.

Start with seared scallops with Cavolo Nero or superbly decadent pan-fried quail’s breast with foie gras, and follow it with fettucine and hare ragout or seriously impressive rack of lamb. Whatever you choose, you’re sure to be delighted. The wine list offers a range of unusual and sensibly priced options, including a pleasing amount by the glass, and make sure that you have one of the fine Bellinis to start off what will undoubtedly be a superb meal.

3-7 Delancey St, Camden, NW1 www.caponatacamden.co.uk

…To See Such Fun

Monday, January 25th, 2010

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The Little Dog Laughed, Douglas Carter Beane’s caustic satire on the sex lives and ensuing hypocrisies of the Hollywood machine, was not a huge success on its American premiere in 2005, perhaps because its broad but caustic swipes were too close to the bone. An altogether kinder reception awaits it in London, if the rapturous audience reception is anything to go by.

Beane’s play takes a hoary old chestnut, namely the closeted gay Hollywood pin-up Mitch (Rupert Friend, still probably best known as Keira Knightley’s significant other) whose terrifyingly Machiavellian agent Diane (Tamsin ‘Black Books’ Grieg) will do anything in her considerable power to stop him destroying his career by announcing his homosexuality; difficult, you’d have thought, when he is esconsed with charming hustler Alex (Harry Lloyd). Meanwhile, Alex’s on/off girlfriend Ellen (Gemma Arterton) is becoming more and more concerned at events, until a surprise second-act twist appears to provide the pat Hollywood ending that Beane is satirising.

It’s  superbly acted by all the principal actors, especially Grieg as the kind of terrifying yet hilarious dragon whose mobile ring tone is sappy background music, and there are lots of sharp, telling one liners, such as when Diane says to Mitch ‘Are you British? Do you have a knighthood? Then shut up!’ Perhaps some of the jokes – references to male stars ‘taking their mothers to the Oscars’, nudge nudge – feel more like they belong in a classy sitcom than the West End, but this is a supremely diverting couple of hours all the same, and if you’re so inclined, the meta-theatrical references (are you, in fact, watching the play within a play?) provide fine food for thought after leaving the building.

Until 10th April. Garrick Theatre, Charing Cross Road, WC2. www.nimaxtheatres.com

A Very Modern Pantry

Thursday, January 21st, 2010

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Anna Hansen, the guiding light between Clerkenwell’s The Modern Pantry, has an extremely impressive track record in her time in the kitchen; so impressive, in fact, that it’s something of a surprise that she isn’t as well known as other female trailblazers such as Angela Hartnett and Thomasina Miers. She began her career working with Fergus Henderson, and then, along with Peter Gordon, opened Marylebone’s acclaimed Providores restaurant, which she eventually left in order to open The Modern Pantry.

If you were a fan of the brilliant fusion cooking at the Providores, you certainly won’t be disappointed by a visit here. The restaurant is located on two floors, with an informal cafe on the ground floor and a (slightly) more formal dining room on the first floor. Dishes on offer might include the likes of Cornish crab rarebit or grilled pigeon breast with ruby chard to start, or sesame crusted salmon or miso marinated onglet steak for a main. Make sure that you leave some room for the splendid desserts, including some wonderful ice cream from small suppliers offering flavours (fennel and honey, or raspberry and guava) that are seldom found in the UK.

All this is complemented by a well chosen wine list that’s got a decent selection of unusual New World wines, and some fabulously friendly and accommodating service. Highly recommended for anything from a hearty Sunday lunch to a quick snack.

48 Saint John’s Square, EC1. www.themodernpantry.co.uk

Six Degrees Of Separation

Thursday, January 21st, 2010

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John Guare’s acclaimed 1990 drama Six Degrees Of Separation, which was memorably filmed with Will Smith and Donald Sutherland, explores a wide range of contemporary issues, ranging from the ephemeral nature of the contemporary art market to the inability that well-heeled New Yorkers have with understanding the world outside their Fifth Avenue penthouses. EM Forster might have exhorted his readers to ‘Only connect’, but for Guare, ‘connecting’ is something that the wealthy do to catch a train to the Hamptons. First class, naturally.

The plot concerns a charismatic young man (an excellent performance from the hitherto little-known Obi Abili) who appears at the apartment of the well-heeled art dealer Flan and his wife Ouisa (Anthony Head and Lesley Manville), appearing to be the victim of a violent mugger. He presents himself as a close friend of their children, and the son of Sidney Poitier to boot. The couple are charmed and initially beguiled by Paul’s easy, erudite manner, but it soon becomes clear that he is both less, and more, than he originally appears.

Guare’s play alternates between the genuinely profound and compelling and slightly irritating faux-Brechtian alienation – lots of characters speaking directly to the audience – but at 90 minutes it never outstays its welcome and, in Abili’s compelling and multi-faceted performance, offers a fascinating character study of a man whose intelligence and charm are equally matched by his guile and consummate dishonesty.

Until 3rd April. Old Vic, The Cut, SE1. www.oldvictheatre.com

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