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Archive for January, 2010

Momo – London’s Glamorous Hotspot

Thursday, January 21st, 2010

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It’s been around for 12 years now but the spice hasn’t fallen off the rack for Momo, London’s glamorous Moroccan. Thanks to a clever mix of marketing and the fashionable connections of its formidable and mono-monikered proprietor,  Mazouz, the brains behind Sketch, Momo still remains the place to be seen and heard for London’s hipsters with a bit of cash to splash, hoping to catch a bite of informal exotica.

You might ask about the food – well that’s not bad either. When it’s good, it excels – particularly when it comes to the usual suspects of Moroccan gastronomy; the tagines and couscous dishes are by far the best and Chef David Jones is fully adept at handling the subtleties of Moroccan spicing . Service can be a little languid but the experience is amply compensated by a preternaturally good-looking staff who are cheerily efficient in refilling cocktails or any other alcoholic beverage for that matter. Do try the Mojito.

Go on a Thursday, Friday or Saturday to get a real taste of the atmosphere and head downstairs to the subterranean Kemia Bar for a post-prandial jig. A visit to Momo is sure to warm your winter up.

25 – 27 Heddon St, London W1. www.momoresto.com

London Stop Off: World Photography Awards

Wednesday, January 20th, 2010

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According to statistics some 2700 photographs are taken every second around the world. It is an extraordinary figure and one that is set to increase with our increasingly available technology and insatiable thirst for fresh imagery. This week sees London play host to the Sony World Photography Awards Exhibition 09/10 before it moves on to complete its whirlwind global tour.

Now in its third year, the SWPA has set a phenomenally high standard for both experienced professionals and snap-happy amateurs. Showcasing the finalists’ and winners’ works of 2009, selected from a staggering 60,000 submissions, it is reassuring to discover the different categories have been rigidly adhered to – fashion, architecture, documentary and sport and fine art genres all share an equal platform as opposed to being naively set against one another. The exhibition will provide an opportunity to celebrate the universal nature of the still visual image and its constant wonder.

UK talents have been highlighted by the astute panel of judges – including acclaimed photographers Sarah Moon and Bruce Davidson as well as Christies’ expert eye – Philippa Garner. For me though the strongest contributions are from Italy – look out for sublime stills from Giuseppe Paradisi and startling black and white documentary shots by Guilio di Sturco.

The exhibition will be open from 20 – 29th January at the Art Work Space, Hempel Hotel, 31 – 35 Craven Gardens, London W2 3E. Further information is at www.worldphotographyawards.org

Image (c) Giuseppe Paradisi courtesy of Sony World Photography Awards 2009

Lightning Love in Covent Garden

Wednesday, January 20th, 2010

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45 years since its inaugural performance, Kenneth Macmillan’s production of Romeo and Juliet is again playing to a packed theatre in Covent Garden. Memorable stage designs, Prokofiev’s striking and experimental score, emotionally-charged choreography, and of course, that immortal tale of two star-crossed lovers will make sure it stays that way.

Two finely-tuned balletic instruments are needed to sketch the finer shadings of love, hate and everything in between that Shakespeare’s lyrical score dictates. In the lead roles, Tamara Rojo’s Juliet and Rupert Pennefather’s Romeo meet the challenge with an accomplished technical mastery. Rojo’s dancing is simultaneously ambiguous and teasingly captivating, her dragonfly-like lightness always suggesting more than she is willing to give. In the throes of passion, she breaks away from Romeo more than once and like all great actors, she is a magnetic presence on stage. The ‘trespass sweetly urged’ is particularly well done, a wilful kiss that both seem to enjoy, carrying long and sweetly enough to hint at the storm ahead.

The production offers a series of stunning contrasts as well. The grandeur of Verona’s grand houses jostles with the hoodlum street-brawls outside, just as the intimacy on the balcony is undercut with the impudent chatter of blades as each bragging Capulet meets his match on pointe. Then there are Prokofiev’s hot tides of emotion that rise and fall incessantly, adding precious emotional layering to the silent adagio of each dancer. This ballet has a lot of guts and gusto, and with a good dash of Rojo, parting is such sweet sorrow.

Until 16 March. Royal Opera House, 7 Bow Street, WC2. www.roh.org.uk

Broadway To The West End…and back?

Tuesday, January 19th, 2010

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With the news that the highly acclaimed (and financially successful) Broadway production of Hair will transfer to the Gielgud Theatre with the full New York cast intact, the question arises…will this start a precedent among transferring shows?

Whilst it isn’t making history as the first musical to transfer its entire cast across the Atlantic, (despite many reports to the contrary, it was in fact Company that came to the West End with Broadway cast intact), we are left wondering what deal British producer Sir Cameron Mackintosh has done to achieve such a feat.

It’s generally accepted that short run plays featuring whole casts is now the norm, particularly from producing houses, such as the National’s The History Boys, and The Old Vic, who have seen not only the entire cast of the Norman Conquests head to the Great White Way, but also their Bridge project featuring American and British actors play at the BAM in New York and the Old Vic itself, and will continue to do so for the next two years.

Every now and then a Hannah Waddingham (Spamalot) will appear on Broadway, while we get a Sierra Boggess (Love Never Dies) here in the West End, but a whole musical cast is an interesting prospect. It strikes me as odd that we could not have had a UK cast for this revival, as I know there are enough performers out there desperate for work;  the Drama Schools and Musical Theatre courses are more popular than ever in this country.

But, Cameron Mackintosh, a man who was number two in the The Stage‘s 2009 theatre industry power 100 and hasn’t been out of the top 10 since it started, has rarely put a foot wrong in recent years. After all, we are talking about the man who threatened to pull the entire Broadway production of Miss Saigon if original London star Jonathan Pryce was not allowed to repeat his performance as The Engineer. He knows what he wants and how to get it, so I can only assume the Hair cast was a means to an ends. So now I want to know what the end is.

Sir Cameron always has a little something up his sleeve, so I for one wait with baited breath to see what it is…

Eastern Promise

Tuesday, January 19th, 2010

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The repository of many of the traditional images intrinsically linked with Japan – Geisha, or Meiko as they are known here, Tea Ceremonies, beautiful Japanese gardens and temples – Kyoto is a must-see on any itinerary when visiting this country.

The perfect base for getting around is the Hyatt Regency Kyoto, which is located a five minute taxi ride from Kyoto station in the Higashiyama district. The simple rectangular thicket of bamboo outside the entrance and the impressive white metal cut-out geometric structures- inspired by kimono designs – that clad the lobby interior set the tone for this simple haven. The bedrooms here are fairly compact and bijou, yet polished with the elegant veneer that the Japanese excel at. The wet room bathrooms are a real treat with their sliding entrance doors and short, deep oriental-style baths.  The atmosphere at the Hyatt Regency is welcoming and convivial.

Even in a country that prides itself upon impeccable manners and hospitality, the staff here go that extra mile to make your stay a pleasant one.  For relaxation, there is the Riraku spa, which offers a wide range of Eastern and Western treatments, including acupuncture and reflexology. I can thoroughly recommend the acupuncture for a whole list of ailments as an excellent quick-fix solution while on the road.

There is plenty to put on the agenda in terms of temples, but for a more unusual insight into some of Japan’s older traditions, there are experiences galore that can be organised, including tea ceremony insights at the Ranhotei Cafe, and informal Sake tastings at Yoramu Sake Bar.  Located on a shopping strip near to Nijo Castle, Ranhotei Cafe is a wonderful, minute little tea shop that weaves its spell around you as soon as you step through the door.
Run by Canadian-turned-Kyoto native Randy Channell, this tea master has been studying the magic and history of tea in Japan for 25 years. You will uncover the rituals of a Japanese tea ceremony under his expert guidance,  and will even get the chance to make your own green tea, which is actually more complicated than it sounds!

For a more intoxicating brew, Sake is an ideal tipple, and there is perhaps no better introduction to the rice wine drink synonymous with this mysterious country than Yoramu Sake Bar.  Owner Yoram, who hails from Israel, is knowledgeable on the history and many varieties that this drink can come in, giving explanation and tuition when needed and leaving you to savour your drinks when required.  For those of us with little to no knowledge, Yoram will establish your preferred tastes and present you with different samples accordingly.  The simple menu of snacks that he prepares behind the counter are also delicious accompaniments. I thoroughly recommend the fried lotus root.

Hyatt Regency Kyoto: 644-2 Sanjusangendo-mawari Higashiyama-ku, Kyoto, www.kyoto.regency.hyatt.
Ranhotei Cafe: 64 Kamikawara-cho, Sanjo Dori, Omiya Nishi-iru, Nakagyo-ku, Kyoto, Japan. Tel: 0081 75801 0790.
Yoramu Sake Bar:  Nijo-dori east of Karasuma, Nakagyo-ku, Kyoto, Japan Tel: 075-213-1512.  www.sakebar-yoramu.com/about_eng.html

Going Commando

Monday, January 18th, 2010

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What’s in a name? Well, when it comes to the British-built Norton motorcycle brand, quite a lot. It holds an incredible history in its chassis, and with the rebirth of the beefy Norton Commando, a Phoenix-like rise from the ashes of mediocrity.

There was a time when Norton reigned supreme, when it won the Isle of Man TT races eighteen times, and when the cool chrome and the powerful twin engines made its presence on the roads a welcome thing. That was over twenty years ago, and since then the most evocative marque in British motorcycling has declined from the headstrong warrior it once was. Poor management, diving sales and an unsympathetic manufacturer made sure that the 1977 Commando was the last truly bona fide Norton off the construction racks. This was the case until a Midlands-born pyrotechnics manufacturer, Stuart Garner, pledged that such a great British name would never be used to sell flannel suits, an idea its American owners were toying with. He bought it for ‘many millions’, and the rest is history.

Fans of the old Commando include Keanu Reeves and Orlando Bloom. With such insight and Garner’s resources and assistance, the new retro-styled Commando SE 961 revs up for its inaugural cruise on Sunset Strip. Triumph Bonneville beware; the speed and machismo of the original is all there, as is the unmistakable Norton chatter. Modern engineering brings with it an all-new, air-cooled, fuel-injected 961cc parallel twin engine, good for an estimated 90bhp, a chrome-moly steel tube chassis and carbon-fibre wheels. And with a multicylinder sports model and new take on the legendary Norton Manx in Garner’s field of vision, expect to see the Norton bad-boy club out in force.

New Norton collection includes: Commando 961SE, Commando 961 Café Racer, Commando 961 Sport. For more information, see www.nortonmotorcycles.com.

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