QUINTESSENTIALLY | Insider | 2010 February

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Archive for February, 2010

Vaudeville in Covent Garden

Friday, February 26th, 2010

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The first and, to date, last circus I ever went to was a rather tedious affair. There were no swinging acrobats, the clowns were bored, the animals didn’t move, the unicyclist seemed to be learning as he went and the ringmaster seemed drunk. There were no hoops or swings or tumbling acrobats, no fire breathing girls or human cannonballs or circus strongmen. As I stood outside the secret entrance of London’s new supper, burlesque and cabaret venue in Covent Garden, my mind went back to that absurd place of childhood and stayed there as I stepped into a dark entrance hall of shimmering mirrors, stayed there as I stepped out into a surreal dining space with fur painted walls, round tables decorated with silver emu feet and a long table/stage with imposing royal blue chairs – all designed by Habitat’s very own Tom Dixon – and then strangely disappeared as I took my seat and ordered a glass of Perrier Jouet Grand Brut.

As I sat there, my mind relaxed, the lights dimmed, a Spanish guitar reverberated across the dining area and up into the lounge and bar as hundreds of disco balls blazed green and blue and pink. First course concluded at the long ‘Party’ table (the kitchen enclave disappears at this point), a girl with extraordinary talent in her limbs resuscitated the life-force of many work-weary folk nearby by contorting herself into a transparent shoe-box and blowing fire as she snaked across the stage. Main course almost through (Churassco steak coupled with pulled pork on potato latkes, beautifully arranged by chef Nik Biok, famous for his pan-American cuisine), two svelte beauties with luminous orange lips and burlesque-style ballet moves had the good ol’ boys spilling their Cosmopolitans and Hibiscus Margaritas (their house twist on this legendary cocktail is among my favourites), even as I choked on a delicious side-order of smoked stuffed chicken wings.

On my way back from the bathroom (industrial style that encourages a good gossip and high turnover of phone numbers), a DJ had leapt into the booth behind me and was cranking up a sexy mix of Riviera chic that would get louder as the early hours approached. Whimsical, brash and profoundly memorable, Circus is a rogue performer on the London stage, with a Nicholson-esque smirk on its face and all the confidence to win a standing ovation every time. Since then, if you say ‘circus’, those childhood clowns don’t leap so quickly to mind.

Circus is located at 27-29 Endell Street, Covent Garden,WC2

Through A Glass Darkly

Friday, February 26th, 2010

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Philip Glass has attained popular acclaim for scoring many successful films, including The Hours, The Truman Show and Notes From A Scandal. More recently, his music was used to striking effect within 2009′s film of Watchmen. Yet he has been a true Renaissance man throughout his career, writing symphonies (including two adapted from the ‘Berlin’ albums of David Bowie and Brian Eno), concertos and operas. Satyagraha was first performed in 1980, but was staged for the first time by the ENO in 2007, to enormous acclaim. With this, its first revival, it isn’t at all hard to see why it is regarded as one of the greatest modern operas.

Over the course of three acts, Glass explores the early life of Gandhi (powerfully sung by Alan Oke) in South Africa where he formed ‘satyagraha’, which literally means the use of resistance by non-violent means. This would of course become crucial to his later philosophy, but is here presented as the powerful awakening of a spiritual conscience, something that Glass and his co-librettist Constance de Jong present via an adaptation of the Bhagavad-Gita.

If it sounds somewhat obscure, this ignores the two key strengths of this production. The first is the spectacular staging by director Phelim McDermott and the Improbable group. The vastness of the Colisseum stage is complemented by audacious effects such as gigantic puppets with misshapen heads towering over city skyscrapes and Gandhi, or apparently endless newspapers appearing across the stage to suggest international opinion of Gandhi’s actions. And the second, unsurprisingly, is Glass’ music. With steady, constant rhythms of string arpeggios punctuated by blasts of woodwind, organ and full choral explosions, it clearly foreshadows his famous work over the next three decades. For anyone seriously interested in modern classical or opera music, or for admirers of Glass, this is an unmissable experience.

Until 26 March. www.eno.org

Image by Alistair Muir/ENO.

Inn With A Chance

Thursday, February 25th, 2010

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Clerkenwell has slowly but surely established itself as one of London’s most exciting dining destinations, with restaurants of the calibre of St John, The Modern Pantry and Moro drawing in the discerning crowds of gourmands, who seem attracted by the combination of the hip locale and quality of the top chefs in the area, including Fergus Henderson, Anna Hansen and, now, Bjorn van der Horst.

Bjorn, who runs the Eastside Inn with his wife Justine, is a former chef of Mayfair’s Greenhouse restaurant, as well as chef-patron of the Michelin-starred La Noisette, which was part of the Gordon Ramsay empire. Setting up on his own in Clerkenwell, the van der Horsts opened a restaurant which is half fine dining emporium, half French bistro.

The fine dining side of the operation is heavily based around local market produce, and allowing diners a degree of leeway in how their food is cooked, whereas the bistro is a more traditional operation. The set-piece dish here is a cote de boeuf that is shared between two people, which allows classically excellent cooking to dominate over a superb piece of beautifully prepared meat, served up with delicious bearnaise sauce and delicately spiced chips. But then everything on the menu is intelligently prepared and served, whether it’s an hors d’oeuvre of duck rillette, crab cakes with paprika mayonnaise or a wickedly decadent Grand Marnier souffle as a dessert. All this is accompanied by a well-chosen and comprehensive wine list, offering everything from good, carefully selected wines by the glass to some flamboyant vintages at the higher end of the list.

It’s too early to say whether Michelin will choose to recognise Bjorn’s cooking in the same way that it did at La Noisette or The Greenhouse, but there can be no doubt, from a visit to the bistro, that it is doing an excellent job at presenting a clear, unpretentious menu well, but with real flair and passion in its execution. It’s hard to think what else you could wish for somewhere like this.

40 St John St, London EC1 www.esilondon.com

You Are Not A Robot

Thursday, February 25th, 2010

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West London’s ornate Bush Hall recently played host to the woman we must call ’2010′s hottest pop sensation’, Marina and the Diamonds. The excellently-named Marina Diamandis (the ‘Diamonds’ part refers to her fans, rather than to her backing band, as might reasonably be supposed) has been tipped by music critics and pundits alike to be one of the most successful acts of the year. She’s been compared to singers as eclectic as Kate Bush, Alison Goldfrapp and, more tenuously, Britney Spears.

The amusing thing about Marina’s rise to fame is that it’s not some five-minute wonder, but the careful culmination of years of hard work. She might only be 24, but she originally attempted to start her career off treading the boards in the West End, before realising that her quirky talent was best expressed through creating her own songs, which have now been released on her debut album The Family Jewels, which has emerged to critical praise and healthy sales.

At her London gig to launch the album, the ever-glamorous Marina might have been feeling slightly under the weather – ‘I’ve got a fever, so I don’t want to sneeze over any of you’, she declared halfway through – but you’d never have known it from her stylish and thrillingly theatrical performance. With a powerful octave-spanning voice that seems more suited to arenas and festival fields that the comparatively bijoux surroundings of the Bush Hall, she performed most of the songs from her album with vim and pizzazz, thrilling the trendy Shepherd’s Bush crowd.

No mean shakes as a keyboardist, as shown by her performing solo at one point, she’s equally at home with finely crafted three minute pop songs (‘Hollywood’) and slowly unfolding torch songs (‘Obsessions). But the highlight of the night, as on album, is her beautiful paean to emotional insecurity, ‘I Am Not A Robot’, which was the first single that she released last year. Chances are that it’ll become one of the year’s defining songs come the festival period, and, on this showing, you wouldn’t begrudge her any of her success.

Find out more about Marina at www.marinaandthediamonds.com

Laced With Excellence

Wednesday, February 24th, 2010

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Nottingham is a city that has a huge amount to offer for a weekend away, from local lad Paul Smith’s very first shop to countless high-end bars and restaurants. If you’re looking for somewhere to stay, then the acclaimed Lace Market boutique hotel is a truly excellent option, as it’s widely recognised as the city’s finest.

Set in an 18th century merchant’s house in the Lace Market area of Nottingham (hence the name), it’s a stylishly converted building that features luxurious rooms in several categories, up to the ‘studios’, which are lavishly appointed suites with all the trappings and fittings that you would expect. The charming thing is that it’s still recognisably a Georgian house, with high ceilings and bay windows giving a wonderful feeling of spaciousness and size.

The David Collins-designed Merchant’s restaurant is acknowledged to be one of the city’s best places to eat, and its lavish setting (complete with suitably plush red leather velvet banquettes) is a suitable accompaniment to a seasonally relevant menu, where you might begin with seared Isle of Skye scallops or braised pork belly with sweetbread ravioli, and then follow it up with butter poached fillet steak or seared Cornish sea bass. Make sure that you book well in advance, as it’s extremely popular. And if you fancy a nightcap, head either to the trendy Saint Bar for a cocktail, or if you fancy something more traditional, there’s a great range of ales and beers at the Cock & Hoop, the next door gastropub, which also has a superb reputation for its food.

Although the charming staff are much too discreet to name names, it’s known that the hotel plays host to all the major visiting bands and acts who stay in Nottingham, and it’s not hard to see why. With its mixture of old-school sophistication and cutting-edge contemporary style, this is a fantastic place to stay on a visit.

29- 31 High Pavement, Nottingham NG1. www.thefinessecollection.com/lacemarket

Through The Looking Glass

Wednesday, February 24th, 2010

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If you see a white rabbit running down Oxford Street over the coming weeks, don’t be so surprised. London is about to fall through the looking glass and straight into Wonderland. It would seem that the entire city is drawing inspiration from Tim Burton’s latest screen extravaganza and just about everyone wants a piece of Alice.

In honour of the film, Britain’s top designers are coming together to re-invent this classic children’s heroine. Stella McCartney has teamed up with Disney for a range of Wonderland jewellery, including charm bracelets and necklaces with playing cards and Mad Hatter’s hats topped with Swarovski crystals, all in her signature muted palettes.

If a bauble on your wrist isn’t enough to satisfy your craving for an Alice fix then head to Alice Temperley, where thanks to the new Alice Spring/Summer collection you can dress yourself from head to toe in the style of your favourite rabbit-chasing icon. Temperley’s polka dot Tiger shorts, broderie anglaise Bluebell shirt and the delightfully named Mini Tiddles dress will have you reaching for an Aliceband faster than you can say Jabberwocky.

Alice and her wardrobe are firmly on the fashion agenda for this season and if you want to be the first to pick up your slice of the Wonderland pie then head to Selfridges on Oxford Street from the 22nd of February where inside the newly created pop up Wonder Room you will find everything you could possibly need to channel your inner Alice.

This is certainly a trend that will continue to get ‘curiouser and curiouser’ as it grows, but don’t let that hold you back. Embrace the fairytale and indulge in this seasons fantastical fashions, just be careful you don’t lose your head.

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