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Archive for June, 2010

Deep and Meaningful

Wednesday, June 30th, 2010

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Make sure you catch the private view of Deep and Meaningful by BFA Ruskin graduate Oliver Beer this Thursday.  Fusing film, photography, music and performance – Beer has an encompassing practice and excitingly original and articulate means of expression.

Since his selection as winner of Saatchi’s ’4 New Sensations’ 2009 exhibition, Beer has been living it up in Paris but has come back to the UK with an almighty and strikingly beautiful new body of work as part of his ongoing ‘Resonance Project.’ Quick breakdown for you: ‘The Resonance Project’ consists of films, sound pieces and performances that use the human voice to stimulate architectural spaces to reverberate at their resonant frequencies, transforming them into vast architectural instruments. Every room, every space, has its own particular frequency, ie. a room can approximate the synthy song of a finger tracing a wine glass rim.

This series has led Beer to work in extraordinary architectural and social contexts, from the transparent skyline-tunnels of the Pompidou Centre to the austerity of a Renaissance monastery; and most recently a Victorian sewer network in Brighton resulting in Deep and Meaningful. For which Beer, in Pied Piper style, led a group of chanting choristers beneath the sunny seaside town echoing their way through the ancient maze of tunnels. The result, both audio and visual, is extraordinary. Uber-collector Anita Zabludowicz has been prowling after him amongst others. See and listen for yourself what Oliver Beer is all about.

Location: Upstairs Galleries at 20 Hoxton Square

Date:  1st July

Time: 7.00 pm – 9.00 pm

Exhibition will last until 24th July

For more information check out www.murmurart.com

A Spoonful of Sugar

Tuesday, June 29th, 2010

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The worker’s hive of Tai Koo Shing seems an unlikely contender in the battle for the best view of Hong Kong by night. But don’t be put off by the towering office blocks – ascend to the 32nd floor of the newly-opened East hotel and you’ll discover Sugar, a stylish and chilled out escape from the chaos of Central and Lan Kwai Fong.

With a terrace to rival Central’s ever-popular Sevva and the kind of lighting scheme that made me think John Travolta and 80s disco, this is, without a doubt, one of the coolest hangouts on the eastern side of the island.

While the gents indulged in a cheeky cigar and Saturday Night Fever boogie on the psychedelic checkerboard stage, the rest of us bagged window seats with sheer views down to street level and across to Hung Hom. The great bottle and cocktail menu made for heavy heads the next morning, but it was well worth it, if only to soak in that awesome view.

We shared a bottle of Belvedere vodka, though other dangerously drinkable cocktails we tried included the Eastern Summer Punch (HKD 100) – a summery blend of vodka, lemon juice, passionfruit, pineapple, peach, mint and champagne, and the Lounge-Deck Smash (HKD 85). Muddling gin with all sorts of fresh fruit, including watermelon, grapes, mint and a dash of lemon, it was refreshing enough to cut through the sticky summer evening.

The fact the lounge was packed on a recent Friday night, when there’s normally a mass exodus out of Tai Koo Shing, tells you everything you need to know about the future of this up-and-coming area. Definitely a hot new summer favourite.

Sugar, 32/F East, 29 Tai Koo Shing Road, Island East, Hong Kong

For more information, please visit www.sugar-hongkong.com/en/Pages/index.aspx

A Marylebone Gem

Monday, June 28th, 2010

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Clumsily navigating London is one of my preferred pastimes, much to the disdain of my friends who find my impossibly circuitous routes to a destination two streets away a symptom of malfunctioning internal GPS. The truth is, I actively encourage myself to get lost – not in the back alleys of Hackney at 3 in the morning – but in the safety-belt of daylight hours and usually in neighbourhoods I could never afford to live in or buy clothes.

Why did I move to the big smoke six years ago? Better question, why have I chosen to stay? Her Majesty. I do hope Her Royal Highness will not take offense when I clarify what I mean: the majesty of this incredible, enormous labyrinth of a city; a place I keep losing my way – and I probably mean that in more ways than one – only to arrive in any number of places that make my life here seem novel again.

Weaving through the streets just north of Bond Street station on my way to dinner, I’ve walked no more than 100 metres from Oxford Street and it’s as if I’ve been transplanted to a charming English village – albeit with noticeably upmarket boutique shops and specialty food purveyors like: La Fromagerie, Ginger Pig, Biggles Sausages and Rococo Chocolates. The weather is kind enough to carry this romantic quartet of amazing smells from one storefront to another and into my hungry nose.

108 Marylebone Lane – my destination for the evening – effortlessly invites me into its airy lounge with open-plan seating and aesthetically well-balanced accoutrements: stainless steel fans, large figurative oil paintings, high-ceilings and walls painted in neutral earth tones, providing the welcome bridge to the adjacent and slightly more intimate restaurant.

For a Tuesday night, the place has a healthy attendance: a few local-looking types who exude that comfortable familiarity of regulars; a gaggle of professional, attractive 30 somethings – Tatler editorial types – who in-turn, unknowingly lure in the spending suits from the lounge, looking equally satisfied by the food as by the ‘evening’s possibilities’. Add a few non-offensive family parties and the dude we’re almost certain is the Irish baddie from Boyzone – but dining by himself? 8:30 and it’s a full house at 108.

My guest and I are tucking into a lovely Berri Estates 2009 Shiraz, which in theory, probably should not be partnered with our starters: John Ross Scottish smoked salmon with fennel salad and caper dressing; and a salad of pleasingly al dente asparagus with pickled mushroom, quails egg and truffle dressing. The wine is thankfully not robust enough to overwhelm the memorable undertones of the food – most specifically – the caper and red onion dressing mixed with lightly salted and smokey salmon and hearty fork-fulls of pickle, dainty egg and truffle oil.

It’s clear from a quick perusal of the menu that the restaurant and Executive Chef, Norman Farquharson, take great pride in sourcing wherever possible – meats, cheeses and most ingredients for that matter – from the local vendors in Marylebone Village. The knowledge of this community supportive and inspired initiative, combined with the consistently first-rate execution of the dishes themselves – all reasonably priced as well! – served to further cement return visits on my part.

The exact moment I became a convert? My ‘Like Water for Chocolate’ epiphany? Perhaps you’ll just have to experience the near ludicrously perfect Honey-mustard glazed Suffolk pork belly, cider and apple sauce, sage and polenta chips. Unless the chef was under the tuition of the Gods themselves, I am still mystified as to how this unearthly creation landed on a plate in front of me.

All the more reason to keep on getting lost, time and time and time again…

108 Marylebone Lane
London
W1U 2QE

T +44 (0) 20 7969 3900

Dance To The Music Of Time

Friday, June 25th, 2010

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Terence Rattigan, long patronised with faint praise as the master of ‘the well-made play’ – i.e. a work that dealt with the social and romantic mores of the middle class and featured smug jokes about gin and tonics and the price of servants – has been rehabilitated over the past 20 years, as audiences and theatres alike have realised that the brilliance of his writing and emotional power of his characterisations and plots, rank alongside the heavy hitters of twentieth century drama.

Thea Sharrock’s new production at National Theatre – his great ‘lost’ play After The Dance – marks the first time it has been produced in London since its short-lived premiere in 1939, confirming Rattigan’s pre-eminence amongst dramatists. It revolves around a group of hedonists, led by dilettante historian David Scott-Fowler (Benedict Cumberbatch) and his beautiful party-girl wife Joan (Nancy Carroll). They lead a privileged, gin-soaked life, full of friends (most notably permanent house guest John Reid, wonderfully played by Adrian Scarborough) and acquaintances, and where any serious chat is ‘a frightful bore, darling’. When David meets his secretary’s fiancee Helen (Faye Castelow) sparks fly; but in this brittle, ephemeral world, a divorce is just something to be laughed at over cocktails. Isn’t it?

Well, no it isn’t, and Rattigan’s play acquires much of its considerable emotional weight from the way in which Joan, who has always been desperately in love with David, deals with the revelation. Throwing oneself into parties and drinking isn’t enough. As one character notes, sardonically, ‘It’s the bright young people all over again, only they never were bright and now they’re not even young.’ Cumberbatch and, especially, Carroll are both sensational in incredibly difficult roles, having to convey jollity, weakness or strength as required and, when the chips are finally down, moral purpose.

They’re ably supported by an excellent ensemble cast including John Heffernan as David’s eager then disillusioned secretary and cousin Peter and Juliet Howland as Moya, a woman for whom the party has gone on for that bit too long. Sharrock’s direction keeps the play moving at a tremendous pace, making the three hour running time pass in the blink of an eye. And make sure that you can either stifle your tears or repress your emotions, as some of the play is deeply moving indeed.

Until August 11. National Theatre, South Bank SE1 www.nationaltheatre.org.uk

I Dreamt of a Beach Town

Thursday, June 24th, 2010

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I am a not too discontented citizen of New York City, of a modern metropolis that is not lacking in taste, or zeal; where the people trip along the pavements and don’t look up to see the blackbirds, winging their way across the glittering facades of the business district. Here, the exteriors of the apartments are not lost in smoke, and the ruddy complexion of the boutiques along the avenues draw an alluring crowd.

But oh for the countryside! And the green grandeur of older days when I sent my boat racing along the pond. When the larger boats, white as the crest of a wave, swam into blue distances. And wasn’t that place just along the road, through the thicket and out to where the horizons suddenly open up? I remember you – East Hampton Long Island – and your marble wharves and cottages that lingered on the waters edge; the large oaks that twinkled against purple skies; the Marina where I played and Three Mile Harbour; those swinging cocktail parties where Errol Flynn was known to wander in with a stiff cocktail when my grandfather was still alive.

I’m in downtown Manhattan sitting in the courtyard of the The Greenwich Hotel, where De Niro dreamt of Italy inside Tribeca’s urban wild. “More like a classy home than a hotel…” they say, with the pink lampshades and the raucous fires and the new-age chandeliers inside. They have even imported the bliss of Asia for market-weary city-slickers – the Shibui Spa, where coconut and citrus perfume breathes above the lantern-lit pool, between the age-old bamboo wood where you lie face down and that frantic New York existence is reduced to the clear accord of ‘unimagined luxury’.

I heard about this place, the curves and lines of the rooms as preciously ornamented as the boulevards outside. The dark greens and yellows of the balcony, where I take coffee, and the water that falls on pressed shoulder blades as I wash away the day’s excess. I will dine alone tonight, with silver spoons at Locanda Verde, and I will remember my dream of Beach Town, where the antique wooden sailing sloop sailed into the night. And then I will go, on the liner that takes you there, and snatch some breakfast at the restaurant Cittanuova

The wind curls in the pines, and the indigo straights shimmer inside my glass of cognac. I remember you, East Hampton Long Island.

For more information, please go to www.thegreenwichhotel.com.

Hitting The Heights

Thursday, June 17th, 2010

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It might sound as if we’re damning an entire genre with faint praise, not to mention a production, but Carmen is the perfect opera for people who believe (however misguidedly) that they don’t like opera. Not only does it have a gripping and exciting storyline that encompasses romance, betrayal and grand spectacle – but Bizet’s music also boasts some of the most famous highlights of 19th century opera. The overall effect, especially in a staging as visceral and exciting as the Royal Opera House’s latest revival, is not unlike being at a very accomplished and dramatic gig, especially if you happened to be attending the outside broadcast that took place all over the UK, where the most famous arias produced mass singalongs.

The story is simplicity itself, as Don Jose (Bryan Hymel), a naive young soldier, falls madly in love with the fierily passionate gypsy Carmen (Christine Rice), a girl who professes that she will only fall in love with a man who doesn’t love her in return. As Don Jose’s self-destructive passion grows, Carmen’s indifference to him and affection for the toreador Escamillo (Aris Argiris) only grows, leading to a cathartically tragic ending.

The musical highlights, powerfully sung by Rice, Hymel and Argiris, amongst the rest of the outstanding cast, include the famous ‘Habanera’ and ‘Toreador Song’, which you’re likely to know even if you’ve never seen the inside of an opera house. But the entirety of the glorious, opulent and Romantic score, powerfully conducted by Constantinos Carydis, is a delight to listen to, and to savour. This is unashamedly visceral, thrilling and arms-in-the-air uplifting stuff. If you get a chance, don’t miss it.

Until 26th June, 2010.

Royal Opera House, Bow Street, London WC2.

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