QUINTESSENTIALLY | Insider | 2010 November

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Archive for November, 2010

One In A Million

Tuesday, November 30th, 2010

If London’s outstanding restaurants have one deficiency, it’s that the quality of seafood that you get in many of the top places in town isn’t as stunning as it could be. Not that such delights as black cod at Nobu or lobster ravioli at Gordon Ramsay aren’t legendary, but there’s a slight sense when you go to many of the capital’s venues that you’d be better off with the more traditional pleasures of beast and field, rather than the more complex joys of the river and sea. Compared to, say, Paris or Venice, this can be a mildly frustrating experience.

It’s therefore a particular pleasure when visiting Knightsbridge’s One-O-One restaurant to realise that the quite outstanding quality of both the food and its presentation means that a really special fish-oriented restaurant can thrive here. A vast amount of the credit for this has to go to the innovative chef Pascal Proyart, who has been behind the stove for the past decade. Originally hailing from Brittany, Pascal’s particular skill is to avoid modishness and pointless ephemera in favour of high-class ingredients, beautifully cooked, and served in an accessible yet exciting style.

On a recent visit, my ever-glamorous blonde companion and I started with a beautifully considered dish of oysters, served conventionally with shallot vinegar, more daringly with yuzu sorbet and vodka and most compellingly as soya-injected baked tempura. The flavour was astonishingly fresh and vivid, without any of the slightly salty fishiness that oysters can sometimes suffer from. This almost ridiculously high standard was maintained beautifully throughout the meal. A starter proper of organic salmon confit with fried quail egg and pork belly saw a delightful mix of contrasts between the flavours, and a main course of slow cooked Arctic cod with chorizo risotto managed the difficult task of making the ingredients interesting and exciting. Desserts are more traditional, but the chocolate brownies with coffee and salt caramel ice cream are easy to recommend.

As you’d expect in a place of this quality, the wine list is extensive and French-oriented, and the extremely helpful sommelier is all too happy to guide you to a glass of something that will compliment your meal beautifully; a rather lovely white Burgundy proved the ideal accompaniment to both my cod and my guest’s sea bass. Those in the know have been patronising this excellent establishment since its foundation, but now the recent flurry of interest arising from Harden’s guide naming it the best fish restaurant in the UK might mean that all curious gourmands would be advised to pay it a visit sooner rather than later.

101 Knightsbridge, London SW1. www.oneoonerestaurant.co.uk

Down the Rabbit Hole

Friday, November 26th, 2010

The Late Night Chameleon Café, set to open this month, is a new concept store in East LondonThe Late Night Chameleon Café, set to open this month, is a new concept store in East London. Based on Shacklewell Lane, it seems pretty far off the beaten track to go hunting for luxury, but then, LN-CC, as it’s known, is all about having an entirely different experience. Half shop, half art installation, with an interior by set designer and illustrator Gary Card, LN-CC opens up, almost literally, a whole new world of high fashion shopping. What LN-CC has tried to do is create an “all-encompassing world”, and the fantastical interior certainly reflects a departure from the traditional retail experience.

We were escorted, not without some trepidation, down some steps to a basement where it was as if we had entered Wonderland. A nest-like tunnel made from twigs and branches (complete with bird noises) led us through to the main corridor, which is lined with orange Perspex. Off this corridor are rooms housing such labels as J.W. Anderson, Lara Bohinc, Preen, Rick Owens and Maison Martin Margiela. It feels rather like being in a warren. The first room, entitled the “warmth space”, is all in grey, has a rather stylish bunker-esque feel. The second room, appropriately entitled the “light space”, is an all-white concept, and feels airier. The third, the “earth space”,  is positively playful, with clothes rails constructed from pine and a tree house in the corner which a couple of fashion editors had already nestled into for the evening.

LN-CC is far more than just a clothing shop. It also offers books and music, all of which are carefully selected to reflect the tastes of the curators, and stored in the wood panelled “celestial space”. At the back there is also a gallery/club space with sound system and a bar where events can be hosted, and where, on this occasion, East London’s fashion elite had gathered to network and sip on the very strong drinks that were on offer.

LN-CC is a bit of a hike for those not native to East London, but given their aim to get away from the average shopping experience, this is perhaps no bad thing. It’s hardly the bland assurance of a department store, but as an experience it’s certainly worth a visit, particularly if you have an appreciation for quirky Japanese fashion and interior design. Viewings are by appointment only.

To arrange a visit, contact: appointments@ln-cc.com

Dior Illustrated: Rene Gruau and the Line of Beauty

Thursday, November 25th, 2010

If I could offer one piece of advice before taking a trip to London’s first major exhibition of René Gruau illustrations, it’s to practice rolling your Rs. I, alas, didn’t manage to perfect the aura of Parisian chic that seems so fitting to Somerset House’s latest display, but I hope I managed to absorb some of Gruau’s effortless sophistication simply by witnessing it. Even fashion novices will recognise many of these iconic drawings and can leave better informed, which is both a gratifying experience and a testament to Gruau’s pervasive influence in the House of Dior.

It was Gruau that Dior entrusted with communicating his vision and who continues to inspire John Galliano’s creations. One of his dresses pays tribute to the illustrator alongside the Dior New Look creations on display. Galliano states ‘to be inspired by Dior is to be inspired by René Gruau’. Indeed, echoes of Gruau’s ‘Flower Woman’ can be found in the delicate florals and enveloping chiffons of the Dior Spring/Summer 2011 collection. The master lives on.

What I enjoyed most about this exhibition was the Eau Sauvage section. This is a rare glimpse at men’s fashion in a major fashion exhibition. Gruau’s taste for controversy and humour are a welcome surprise – it is rare that a fashion exhibition permits a snigger, even rarer that it solicits one.

The curator from Somerset House, who worked jointly with a curator from the Dior Parfum Archives, has cleverly picked out five contemporary UK-based illustrators whose work demonstrates the continuing legacy of Gruau. Fittingly, limited edition prints are on sale so you can take some of the exhibition away with you for your wall at home. I was faintly disappointed that they had not been quite as ingenious with the Gruau designed Dior Christmas cards from the display – I was hoping to have the most stylish seasonal tidings in town this year.

If you have an insatiable love of fashion illustration, get yourself to one of the Somerset House Late Studios, a series of late night workshops where you can indulge in a cocktail or two and create something fabulous to take home with you. Inspired by the Dior Illustrated Exhibition the next three Late Studios offer you the chance to whip up a breathtaking headpiece, fashion your own chic paper doll or turn designer muse as you take part in a life size fashion illustration class.

Dior Illustrated: René Gruau and the Line of Beauty is open daily at Somerset House, between 10am – 6pm, until 9th January 2011.

A Fast Tempo

Wednesday, November 24th, 2010

‘Yet another Italian restaurant? In Mayfair?’ I hear you sigh. To be honest, I was thinking pretty much the same myself before I headed to Henry Togna’s new restaurant. London seems to be full of Italian eateries of virtually every stamp, from the humble neighbourhood trattoria to the full-on Michelin starred experience. And Mayfair, an area synonymous with luxurious dining, seemed to be replete with more than enough establishments for all high-end tastes and pockets.

I always like being proved wrong, as long as it can be done stylishly. And there are few more stylish places in town that can confound your expectations with quite the panache that Tempo delights in doing. The first impressions are of slickness mixed with old-school charm and courtesy. These are both epitomised by the appearance of your host Mr Togna, who radiates charisma and yet is prepared to comment wryly on being described as a ‘St James grandee’, giving little doubt that his ambitions here are rather more down-to-earth.

The food here, combining traditional Italian cooking with modern flourishes is quite stunning. I always enjoyed Yoshi Yamada’s food at his previous establishment, St Alban, but here he has raised his game in a more sympathetic and welcoming environment. Cicchetti of Calabrian pork sausage and seared octopus act as tantalising amuse bouches that perfectly compliment a Bellini before the serious dining begins. Wild rabbit tortelli and fresh Cornish crab taglioni show how good silkily fresh pasta can taste, and perfect scallop and beef dishes demonstrate how to take the highest quality of ingredients and cook them simply and well and make them delicious as a result. Desserts of blackberry and ricotta semi-freddo and pannacotta with poached fig are well worth leaving space for.

The wine list offers a decent selection by the glass as well as a good selection that encompasses French and New World vintages, in addition to the Italian variety that are de rigueur in a place of this class. Over the course of a lunch that ended up being longer than I had originally planned, my glamorous companion and I found ourselves being inveigled into having perhaps one more glass than we would otherwise have taken, but this hospitality and warmth is at one with the quality of Tempo. Make plans to visit soon, and you won’t be at all disappointed.

54 Curzon St, London W1. www.tempomayfair.co.uk

Desperately Seeking Vintage

Tuesday, November 23rd, 2010

Some days in London Town it’s hard to make it down New Bond Street without some red lipped, pin curled, mink wearing minxlette uttering the fateful war cry of “oh, it’s vintage dahling.” These girls (and boys) are quite literally stealing the clothes off their grandparents backs and calling them high fashion. But I wonder if these dolly rocker babes and wandering troubadour types fully comprehend the true meaning of Vintage – or if one day their love of the eclectic antique will be banished back to the charity shop from whence it came.

And it would seem that for once I am not alone in my quest to salvage the age of vintage; Lucy Evans and Robert Keylock are two vintage visionaries who, thanks to a chance encounter at the Goodwood Revival in 2007, crystallised their idea of creating the definitive online resource, where you could buy, wear, read and practically eat anything with a vintage or classic twist. Throw in former chairman and chief executive of Goldsmith Group PLC, Jurek Piasecki (who incidentally has a passion for Marilyn Monroe memorabilia, vintage watches and classic cars) and the three joined forces to create the online wonder emporium that is Vintage Seekers.

A brief gander at the site will show you that they deal in all things from wine and furniture, to fashion and memorabilia. Delve a little deeper and you will fall victim to the pages of excruciatingly fabulous items on offer, losing a whole afternoon (which I did) in the process. My personal favourites are the Eames ‘Time Life’ lobby chair (the perfect place from which to plot world domination), and an original costume sketch by Edith Head from the Audrey Hepburn classic film Sabrina – an ideal replacement for my rather tatty Holly Golightly print. And the Pièce de résistance? A white with red leather interior Mercedes 190 SL from which I would step a la Ava Gardner on the arm of my Sinatra-esque companion.

The collection is meticulously sourced from noted international dealers and only features items that are at least 25 years old and no older than 100 years old – the emphasis being on timeless style with not a hint of nouveau vintage in sight.

The Vintage Seekers ethos is ‘desirable, stylish, authentic, often iconic and always original’. Now what better mantra could there be for vintage lovers everywhere to seek by?

www.vintageseekers.com

Let the Christmas Festivities Begin

Monday, November 22nd, 2010

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