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Posts Tagged ‘art’

Art Goes Virtual

Thursday, January 27th, 2011

“VIP” is a common expression in the world of luxury – but this week it has been given a totally new meaning.  Saturday, 23rd January was the inauguration of the VIP Art Fair, but here the famous letters stand for ‘Viewing in Private’, and describe the world’s first major online art fair.

The founders of this ground-breaking fair are James and Jane Cohan, art dealers in New York, who, for the past 3 years, have been dreaming of and planning the fair which finally launched last weekend, and is scheduled to close on 30th January. With more and more transactions happening online – for example some galleries sell in a similar fashion to amazon.com and major auction houses accept online bids – it seems that art collectors don’t necessarily have to view works in person before knowing they love and want it. And so begins the online art fair.

The circuit is already so crowded with fairs from Hong Kong, London, Miami, Basel, New York, Dubai to Paris, that the cost of travelling and shipping make it almost impossible for galleries or collectors to see them all – in this climate it makes sense to go virtual. Although galleries still have to pay for booths, ranging from $5,000 – $20,000, the expense saved from not having to transport works is significant.

The fair’s first major success was in convincing big hitters like Gagosian, White Cube, Hauser and Wirth and an interesting range of younger galleries to buy booths and set up a display of works. Beyond that the basic logistics of the site were successful – the lay out and interface were extremely user-friendly allowing visitors to search galleries and chat with their staff 24 hours a day.

So was it a success? I would say yes and no. The major failing has been that due to high user demand the website has been incredibly slow, to the point that they have had to disable the chat feature, suggesting visitors email or call the gallery instead.  The problem with this is that specific prices are not listed, and not a lot of details are provided about each work; while you can see the artist’s CV and biography there is no actual description provided, meaning some works’ significance and purpose can, unfortunately, be lost.

Having said that, I think the idea of the online art fair is a major step forward. This fair has more than 1900 works on view, and the whole reason the website has had problems is because of overwhelming interest and demand – there have been a staggering 3.3 million views on the site, from 130 countries and it’s still  only half way through the fair.

Whether sales have been high is still unknown, but it cannot be contested that even if people aren’t buying online, they are being made aware of different galleries and different artists to investigate in the future.

Technological glitches aside, the Cohans should be proud of what they’ve accomplished and hopefully will do it again next year with a bit more experience under their belts.

vipartfair.com

GSK Contemporary – Aware: Art Fashion Identity

Thursday, December 9th, 2010

There seems to be a sense of snobbery about fashion that it’s always skin deep and never art in its own right. The curators of the ‘Aware’ exhibition have highlighted the interchangeability of fashion and art and have come up with what might be described as the thinking person’s wardrobe.

Critics have suggested that this forced marriage of fashion and art is a contrived attempt to trade on the fact that more people read fashion magazines than go to art galleries. This may well be true, but it didn’t stop me going down to get up close and personal with some Alexander MacQueen.

As an unashamed fashion lover I was pleased to see that I recognised the names of some of the artists as well as the designers, albeit this is probably due to their celebrity rather than their artistic credentials. Ironically it was the pieces created by artists that I deemed the most wearable. A cape adorned with eyes by famed eccentric Grayson Perry was a lot closer to ready to wear than a dress constructed from wood by Yoshi Yamamoto.

Standout pieces include a dress by Susie Macmurray, which from a distance sparkles with beguiling seduction only to reveal itself to be made from sharp needles upon closer inspection. A highlight was a chance to view a red, lace, veiled dress from Alexander McQueen’s Joan collection. His 1998 show is was a landmark in fashion history and looked completely at home being displayed as art.

Fashion fans will be delighted by the exhibition and sceptics will be pleasantly surprised. Never has art been more in fashion and the marriage of the two looks set to carry on well into the future.

‘GSK Contemporary – Aware: Art Fashion Identity’ runs until 30 January 2011 at The Royal Academy, 6 Burlington Gardens.

Down the Rabbit Hole

Friday, November 26th, 2010

The Late Night Chameleon Café, set to open this month, is a new concept store in East LondonThe Late Night Chameleon Café, set to open this month, is a new concept store in East London. Based on Shacklewell Lane, it seems pretty far off the beaten track to go hunting for luxury, but then, LN-CC, as it’s known, is all about having an entirely different experience. Half shop, half art installation, with an interior by set designer and illustrator Gary Card, LN-CC opens up, almost literally, a whole new world of high fashion shopping. What LN-CC has tried to do is create an “all-encompassing world”, and the fantastical interior certainly reflects a departure from the traditional retail experience.

We were escorted, not without some trepidation, down some steps to a basement where it was as if we had entered Wonderland. A nest-like tunnel made from twigs and branches (complete with bird noises) led us through to the main corridor, which is lined with orange Perspex. Off this corridor are rooms housing such labels as J.W. Anderson, Lara Bohinc, Preen, Rick Owens and Maison Martin Margiela. It feels rather like being in a warren. The first room, entitled the “warmth space”, is all in grey, has a rather stylish bunker-esque feel. The second room, appropriately entitled the “light space”, is an all-white concept, and feels airier. The third, the “earth space”,  is positively playful, with clothes rails constructed from pine and a tree house in the corner which a couple of fashion editors had already nestled into for the evening.

LN-CC is far more than just a clothing shop. It also offers books and music, all of which are carefully selected to reflect the tastes of the curators, and stored in the wood panelled “celestial space”. At the back there is also a gallery/club space with sound system and a bar where events can be hosted, and where, on this occasion, East London’s fashion elite had gathered to network and sip on the very strong drinks that were on offer.

LN-CC is a bit of a hike for those not native to East London, but given their aim to get away from the average shopping experience, this is perhaps no bad thing. It’s hardly the bland assurance of a department store, but as an experience it’s certainly worth a visit, particularly if you have an appreciation for quirky Japanese fashion and interior design. Viewings are by appointment only.

To arrange a visit, contact: appointments@ln-cc.com

Briony’s Inspiration

Friday, July 9th, 2010

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Briony Anderson is the new darling of British art. Her first solo exhibition – twenty or so oil paintings exploring the ‘act of observation versus the act of looking’ – held in London last month, proved an art collectors dream. The big cats, including Kay Saatchi and Indian collector Satish Modi, turned up, looked, looked again, and must have felt the same surge of excitement as those who first saw Damien Hirst’s iconic dot paintings.

The paintings themselves were inspired by portraiture commissioned in the 18th and 19th centuries. The central figures have been omitted, and what we are offered is a complete re-rendering… a new idea, poetry for prose.

Let me remember what it is that I really saw…

Beneath the hanging lanterns, a large canvas is alive with tension – loose, expressive brushwork in which many different moods battle against each other, a tendering that surprises me. It speaks, I think at first, about the calm within the conflict, the peace in the storm. I stand there for a while. I think about the artist and what she meant by this mountainous fantasy, ‘From which he observes but does not participate’, and I make the active decision to hang about and get more champagne.

I have often been cynical of modernist art. Like an obscure poem, these paintings so often sing about the meaning in non-meaning, the beauty in nothingness, but explain nothing by it. This time, the observer is forced to find meaning, since the artist definitely means something by it… something that I was just beginning to grasp.

Meanings aside, Briony’s work strikes me as redolent of a unique inner life, the landscape exploited to express a melody that is all her own. I did not get a chance to meet her, but I imagined her as a girl with a capricious look in the eye, a passionate laugh… a cosmic dreamer perhaps.

It is no wonder the paintings sold so well, or that the salt of the art world spilled out onto the balcony, champagne in hand, musing on what they had just seen, returning to that favourite piece where Kay Saatchi had stood, and scratched her head in surprise. There is indeed a rhythmic, fluid beauty to her work that pleases the eye. ‘Distant Viewpoint, 2010’, reminds of Van Gogh’s ‘Crows above Cornfield’; a little later on in the day perhaps, when the storm has fallen and the birds are swarming towards the artist in every direction – a roaring beauty within the dark greys, and blues and whites – all expressing something within themselves: madness, hope, a window to eternity.

Briony’s work is an expression of the human spirit in colour. Bold, triumphant, beautiful – it makes nature less real only to steal from it something that is truly effecting.

For more on Briony, please Click Here.

Art Dubai Seals Position

Tuesday, March 30th, 2010

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18, 000 attendees, 30 countries, 72 galleries, 200 000 USD listed as a sale highlight figure. As Art Dubai 2010 drew to a close, the mood was resoundingly positive. Royals, international museum advisors and private buyers all snapped up works, and with a healthy smattering of galleries selling out completely, it seemed the buzz was back. With a rising number of Emirati artists showcasing work for the first time, attention turned to local talent and its burgeoning value.

The record number of fair goers were undoubtedly attracted by the impressive line up of art stars flown in for the four day fair including El Anatsui – the man behind the hundred thousand dollar cloth works – whose conversation was part of the Global Art Forum programme. Such a prominent artist’s presence is indicative of the fair’s increasing stature since its inauguration four years ago, as is a Van Cleef & Arpels sponsored exhibition. With such strong sales and international audiences acquiring regional talent, Art Dubai is seen as a fair gauge of where the Middle Eastern market is heading.

It seems the fair directors are well on the way to really fulfilling their ambition on becoming a premier East-meets-West platform for the global art community.

Image (C) of Art Dubai

Victoria and Albert; Art and Love

Monday, March 22nd, 2010

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The Art and Love Exhibition, showcasing numerous works of art collected by Queen Victoria and Prince Albert, is now on at the Queen’s Gallery. The exhibition offers a unique perspective on the devotion the couple had for each other and their mutual love of art.

Victoria was notoriously fussy when it came to artists’ depictions of her, and frequently rejected submissions by English artists, preferring to keep royal patronage to a selection of Europeans. Franz Winterhalter was one of these favoured few, and the central room of the exhibition hosts one of his most impressive works of the couple with their young children. A series of Miroy Fréres clocks are also a stunning addition to a highly impressive collection.

The principal curator Jonathan Marsden worked in conjunction with 13 other curators for three years, compiling the collection of over 400 works, the majority of which were given from one to the other as a token of their love and devotion.

In a speech given to announce the upcoming opening of the exhibition, Marsden described the collection as “the first act of an opera”, referring to the jubilance of the couple and indeed Victoria’s happiness, which was starkly contrasted by a period of extended mourning following the sudden death of her husband. Marsden was keen to emphasise that it was “not a Victorian exhibition, but a romantic one”, and certainly viewing the works, one does feel privy to an intimacy between the two displayed through their complementary tastes in art during their 21 years together.

The exhibition runs until 31st October at the Queen’s Gallery, Buckingham Palace.

For more information, visit www.royalcollection.org.uk/default.asp?action=article&ID=32

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