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Posts Tagged ‘cinema’

Matt Damon – a long way from Bourne

Tuesday, November 10th, 2009

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You never quite know what you’re going to get with director Steven Soderbergh. Will it be a serious piece of filmmaking like Traffic, a piece of glossy fun like Ocean’s Eleven or a weird and experimental failure like Bubble? With The Informant!, Soderbergh hedges his bets, combining all his various tendencies into a strange but mainly compelling examination of a very odd man, helped by a bravura performance by a pudged-up Matt Damon.

The story on which the film is based is true, but it’s so odd that it sounds like fiction. Mark Whitacre (Damon) stumbled onto his company, a food production giant, being involved in a particularly shady example of price fixing, and went to the FBI with his claims, which were soon confirmed. Whitacre was then involved in various shenanigans, including having to wear a wire to business meetings which were simultaneously secretly filmed. Unfortunately for the FBI, it soon became clear that Whitacre was a serial fantasist, whose own crimes were much more significant than the ones he was reporting.

Soderbergh layers this fascinating story with some subtly alienating artistic touches, such as a score by Marvin Hamlisch, the Broadway composer, which sounds like something out of Austin Powers. Damon is superb as Whitacre, peppering his actions with a near-constant, apparently irrelevant voiceover that throws up unexpected moments of hilarity, and a strong supporting cast includes Scott ‘Quantum Leap’ Bakula as his permanently exasperated FBI contact and Melanie ‘the one who wasn’t Kate Winslet in Heavenly Creatures’ Lynskey as his faithful wife. And, by the end, the humour is undercut by a note of poignancy which deepens the Whitacre character, making him, finally, an almost sympathetic figure, despite all the absurd things he did.

Out November 20th.

The return of Sir Michael Caine

Tuesday, November 3rd, 2009

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Michael Caine is one of the very few living legends of British cinema left, a man whose presence in such classics as The Italian Job, Zulu, The Man Who Would Be King and Alfie has left an indelible mark on film. These days, however, he is best known for appearing in well-paid cameos in the likes of The Dark Knight than for getting the seminal leading roles he deserves. His appearance in the British crime film Harry Brown, in which he plays the protagonist, might represent his final leading role, but it’s a worthy send-off if this is to be his last hurrah.

The plot, which seems an all-too-contemporary representation of urban nightmares, features Harry Brown (Caine), a lonely widower and ex-Marine living on a hellish kitchen sink estate somewhere in London. At first, he seems to want to avoid the various lowlife who have made the estate such a ghastly place to live, but, after his only friend is brutally murdered, he snaps into action.

The film is violent, suspenseful and gripping from start to finish, a credit to the director Daniel Barber (making his cinema debut) and a great cast which includes Emily Mortimer as an ineffectual policewoman and Iain Glen as her boss. One scene in particular, in which Caine ventures into a crack den to buy a gun, is horribly convincing and compelling right up until its bloody denouement. Fans of top British cinema shouldn’t miss it.

Out 11 November

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