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Posts Tagged ‘Covent Garden’

An Operatic Success

Thursday, March 24th, 2011

Covent Garden is, surprisingly, a bit short on the kind of decent yet unpretentious places that one can pop into pre or post theatre or opera to get a meal that’s not going to break the bank but offers something altogether different to your usual chain experience. Thus, the advent of the Opera Tavern, from the people behind the much-acclaimed Salt Yard and Dehesa, was welcomed with open arms by locals and visitors alike. As with its two predecessors, it offers high-quality Spanish fare in a buzzy, fun atmosphere at sensible and affordable prices.

The difference is that, if you’re the kind of person who groans at the concept of a restaurant where the vibe is sangria and ‘Hola!’, then this is going to be an extremely pleasant relief, offering the kind of nuanced cool that NY has been doing brilliantly for years but has caught on much less here than it should have done. Downstairs is a no-reservations tapas bar, whereas upstairs is a (slightly) more formal restaurant, which takes bookings. Both were heaving on a recent Friday night visit.

The copious menu offers a range of, essentially, upmarket bar snacks and tapas-sized versions of main courses. Of the former, the not particularly Spanish Scotch eggs are a highlight, with rich, flavoursome pork complemented beautifully by the perfectly cooked egg. This is easily comparable to my two favourite Scotch eggs in London, at Highgate’s Bull and Last and from the excellent butcher The Ginger Pig. Another highlight is a moreish miniature burger made up of Iberico pork and foie gras. A decadent delight, its small form belies the fabulous, melt-in-mouth taste that this offers. My companion, a girl not unacquainted with the finer things in life, promptly pronounced this her favourite dish – Ever.

Sound though this particular value judgement may or may not prove to be, the slightly larger plates offered a riot of taste and flavor. Crispy squid and sea purslane with aioli is a welcome change from the carnivorous repast, tasting faintly Oriental but without any greasiness or fattiness. I often regard belly of pork as a ‘control’ dish in restaurants – if they get it right, chances are that the rest of the menu will work as well – and this one was a delectable example, with cannellini beans bringing out the rich taste. All of this was ably complimented by a full, rich bottle of Tempranillo.

The Opera Tavern isn’t attempting to offer anything experimental or boundary-pushing. What the highly accomplished chefs, and the charming and helpful staff do is to make this the highest form of comfort food. You will leave, wallet not appreciably lighter, with a happy smile on your face and a desire to go back there in the very near future.

23 Catherine Street, WC2. www.operatavern.co.uk

A Very Grand Cafe

Monday, December 20th, 2010

The no-man’s-land between Leicester Square and Covent Garden in London is filled to the brim with the sort of identikit, dull restaurants that nobody would want to visit, and a few failed attempts at doing something slightly more off the beaten track. However, there are small signs that things are starting to look more interesting. This mini-renaissance is due at least in park to Dishoom, a new Bombay-style cafe that prides itself on serving an eclectic array of dishes, ranging from everything from bacon naan rolls with chilli jam at breakfast time, through to cocktails, grills, small plates and tandoori items at other occasions.

A late afternoon visit just before Christmas saw the popular ground floor restaurant full to the brim with visitors tucking into the innovative and delicious Anglo-Indian fare. ‘Small plates’ – which, if a selection of three or four are ordered, will do perfectly well as a meal for two – consist of such delights as Bombay sausages, marinated in Bombay massala, chilli cheese toast and Keema Pau, spiced lamb with warm buttered bread. All are exceptionally reasonably priced and similarly tasty. For those with larger appetites, grills and biryanis include spicy lamb chops rubbed with chillies and black pepper, or dill salmon tikka. Side dishes include what is proudly described as the signature black daal and some surprisingly light and unsurprisingly delicious naan breads.

Whether you fancy an alcoholic or non-alcoholic drink, there’s plenty of choice. The range of lassis and chais is exceptionally impressive – the bhang lassi, which is flavoured with ginger, mint and spice is a particular highlight, whether or not you take it with rum – or if you fancy something a bit stronger, a well-selected and keenly priced wine list has some delightful New World options, including an excellent Latitud 43 Malbec, and the cocktail menu has numerous joys, such as a ‘chaijito’, a refreshing take on the traditional Mojito.

There are rumours afoot that Dishoom will itself be opening other branches in due course. If they are all of this standard, then we have something to look forward to over the next couple of years.

12 Upper St Martin’s Lane, WC2. www.dishoom.com

Dial Up The Number

Thursday, December 2nd, 2010

Steak, steak, glorious steak. There can be few pleasures in life more satisfying than devouring a well cooked and beautifully presented beast, one nobly sacrificed for the greater good of carnivores’ delight. There have been quite a few steakhouses opened in London over the past few years, as restaurateurs finally realise that New York-style establishments have some purchase over here, but Hawksmoor in Commercial Street became near-legendary for three things very quickly, namely its fine meat, triple-cooked chips and cocktail list.

Now, much to the delight of bloggers, punters and critics alike, the team have opened a second branch in Covent Garden, on a far larger scale. I must confess to wondering whether it would lose something in translation to the West End, but a recent visit proved a highly impressive experience from beginning to end. Located in the former Watney Combe brewery, it features a speakeasy-styled bar in its basement that is more than comparable with Hix, offering a challengingly eclectic selection of cocktails that include such delights as a near-lethal cider brandy julep and an altogether more approachable Hawksmoor fizz, which acts as a perfect aperitif for the evening’s main event.

The first thing to say about the room here, which is going to be much-heralded over the next year, is that it’s serious. The guests here are serious (apart from the out of place group of jokers on a nearby table), the décor is serious, the staff are serious, and, above all, the steaks are very, very serious. Chalk boards show which vast sharing cuts of steak are currently available – a kilo of Porterhouse or Chateaubriand float your boat? – or alternatively go for one of the ‘normal’ options which include familiar, but brilliantly cooked, standbys of fillet, ribeye and on-the-bone sirloin. The latter weighs in at a significant 600g, making it a manly option.

The glamorous blonde companion had the fillet with a half of lobster, along with triple-cooked chips in beef dripping and beautifully silky, rich béarnaise. Against all odds, she maintained her charming composure in the face of such apparent excess, and even managed a half-dozen oysters to start, followed by a wonderfully decadent chocolate dessert. Your correspondent found himself all but defeated, but rallied for a delightful blackcurrant sorbet that served as a fine palate cleanser. A well-chosen bottle of fine Bordeaux helped it all down easily.

Hawksmoor will be an enormous success, there’s no doubt about that. It’s got the right kind of feel for Covent Garden, offering visitors a real alternative to the glut of chain restaurants festooning the streets like so much stale confetti, and everything about it is of a high standard. Just don’t go in feeling anything other than ravenous.

11 Langley St, London WC2 www.thehawksmoor.co.uk

Sub-Continent Treasure

Monday, February 15th, 2010

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Living in South London I find myself spoiled for choice when it comes to Indian food with a great selection of different cuisine styles from the Indian continent. What I do miss are the higher end establishments which boast a much more unique style and selection of dishes. Because of this I was very happy to recently visit to Moti Mahal in Covent Garden heartily suggested to me by a couple of colleagues.

What I found was perhaps one of the most memorable Indian meals I’ve had in quite some time. The restaurant itself has a very pleasant, contemporary look to it , obviously aiming for the more discerning clientele. The relaxed and intimate lounge area and bar is perfect for a cocktail before sitting down and navigating through the menu.

The menu’s concept consists of dishes found along the Grand Trunk Road, a 2500km highway built by the Emperor Sher Shah Suri in the 16th Century. With a span from Sonargon in Bengal to Peshwar on the Northwest frontier of Pakistan there is a huge scope for traditional dishes along the way.

The menu is presented in a tasting style where several dishes will be ordered to build up a varying and exotic mix of tastes. Several dishes seemed to leap out off the menu, particularly Sorpotel, a Goan dish with an intense flavour with wild boar stewed with chillies, cloves, garlic and vinegar along with the smoothness of the Murgh Nazkat from Punjab and its basil poppy seed, cracked pepper and dill.

Having sampled seven or eight dishes I have to say I was very impressed. Although each dish had a strong and vibrant taste, none overpowered the other. I was also pleased that rather than the starters and the obligatory poppadoms that we were offered a large board of fresh salad – again a nice touch and the perfect way to start a meal.

Chef Ani has obviously put a lot of effort into creating the menu, placing emphasis on the finest local and global organic produce as well as a more traditional style of preparation by adopting the use of the “Thatee Grill” – a hallmark of rural Indian cooking.

Prices are towards the higher side but admittedly this reflects very well on the creativeness and quality of the dishes themselves, service is smooth and very warm as well. I’m planning on returning very soon to Moti Mahal with some friends as I know they will not be disappointed.

45 Great Queen Street, London WC2 www.motimahal-uk.com

The Rake’s Progress

Tuesday, January 26th, 2010

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The Royal Opera House’s revival of Stravinsky’s The Rake’s Progress, with libretto by WH Auden and Chester Kallman and directed by Robert Lepage, met with mixed reviews on its first production in 2008, but this confident revival shows that any initial difficulties have been more than dealt with. With its mix of pointed satire, constantly intriguing neo-classical score and poetic wit, it has been extremely popular ever since its first production in 1947, and this suitably gutsy staging more than does credit to it.

Loosely based on Hogarth’s series of 18th century paintings that explored the decline and fall of a decadent wastrel, Stravinsky, Auden and Kallman instead focus on Tom Rakewell (Toby Spence), an amiable ne’er-do-well without a penny to his name who is in love with the similarly sweet Ann Trulove (Rosemary Joshua). The match looks doomed until he falls in with the enigmatic Nick Shadow (Kyle Ketelsen), who offers him vast fortunes from a mysterious ‘uncle’ and a suitably glitzy career in a world that Lepage evokes as 50s America.

The singing from all the leads, especially Ketelsen, is fine, and the conducting by Ingo Metzmacher is suitably energetic, responding to all the subtleties and ironic nods to neo-classicism in Stravinsky’s score. The costume and set designs are lavish and elaborate – at one point an inflatable caravan appears on stage – and if, finally, this isn’t the most profound of productions, it’s certainly one of the more enjoyable.

Royal Opera House, Bow Street WC2. Until 3 February. www.roh.org.uk

Lightning Love in Covent Garden

Wednesday, January 20th, 2010

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45 years since its inaugural performance, Kenneth Macmillan’s production of Romeo and Juliet is again playing to a packed theatre in Covent Garden. Memorable stage designs, Prokofiev’s striking and experimental score, emotionally-charged choreography, and of course, that immortal tale of two star-crossed lovers will make sure it stays that way.

Two finely-tuned balletic instruments are needed to sketch the finer shadings of love, hate and everything in between that Shakespeare’s lyrical score dictates. In the lead roles, Tamara Rojo’s Juliet and Rupert Pennefather’s Romeo meet the challenge with an accomplished technical mastery. Rojo’s dancing is simultaneously ambiguous and teasingly captivating, her dragonfly-like lightness always suggesting more than she is willing to give. In the throes of passion, she breaks away from Romeo more than once and like all great actors, she is a magnetic presence on stage. The ‘trespass sweetly urged’ is particularly well done, a wilful kiss that both seem to enjoy, carrying long and sweetly enough to hint at the storm ahead.

The production offers a series of stunning contrasts as well. The grandeur of Verona’s grand houses jostles with the hoodlum street-brawls outside, just as the intimacy on the balcony is undercut with the impudent chatter of blades as each bragging Capulet meets his match on pointe. Then there are Prokofiev’s hot tides of emotion that rise and fall incessantly, adding precious emotional layering to the silent adagio of each dancer. This ballet has a lot of guts and gusto, and with a good dash of Rojo, parting is such sweet sorrow.

Until 16 March. Royal Opera House, 7 Bow Street, WC2. www.roh.org.uk

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