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Old-fashioned charm meets Michelin-starred food

Tuesday, November 3rd, 2009

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Rasoi, the eponymous Chelsea restaurant of Vineet Bhatia, is one of London’s few Indian establishments to boast a Michelin star, and were it not for Michelin’s apparent bias in favour of French cuisine, it’s not at all impossible that it wouldn’t boast a second. The hospitality and charm on display here are a world away from more bustling, swaggering establishments, best typified by the way that entry is secured by ringing the doorbell of a sedate-seeming townhouse.

Bhatia’s cooking is exemplary, moving beyond any idea of ‘Indian’ cuisine in favour of something fresh, new and delicious. After some of the best poppadums you’ll ever try, complete with to-die-for mango chutney, starters might include scallop and prawn brochette, complemented by wasabi ice cream, or a seafood medley of crab, salmon and prawn. Mains redefine expectations again; Achari guinea fowl breast with smoked aubergine mash is recognizably both Indian and a nod to European traditions, while a muscular oven baked spiced cod is about as far from the bland identikit fish curries of the high street as possible.

The wine list is significant both in terms of variety and price, but the helpful sommelier is on hand to recommend a suitable bottle, or half bottle, of which there is an excellent range. A visit here genuinely is a pleasure from start to finish.

10 Lincoln Street, Chelsea, SW3 www.rasoirestaurant.co.uk

A legendary hotel is reborn

Friday, October 30th, 2009

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A couple of days ago, I went to the London relaunch of La Mamounia, Marrakech at the Charlotte Street Hotel where over copious amounts of Taittinger Rose, famed French interior designer Jacques Garcia (Costes Hotel) who has been overseeing the hotel’s refurbishment, told us about his work which after 3 years has been completed to much fanfare.

This legendary hotel which can count numerous luminaries amongst its guests including Winston Churchill has undergone a complete facelift. Garcia said he was guided by his passion for the east during the hotel’s reconstruction and so he placed key importance on artisanal work when it came to the interior architecture

Avenue Bab Jdid, Marrakech, Morocco

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Aubin & Wills – Second To None?

Friday, October 30th, 2009

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Set to open its 3rd London store by the end of November, Aubin & Wills is the sister company of the highly successful student outfitters Jack Wills. The spin off brand is under two years old and, offering a more grown up range of clothing and home ware for the same sort of discerning customer, seems set for success. With its tagline, ‘Second to None’, the brand is establishing itself amongst its discerning customer base as far more than just a clothes line.

The brand offers a range of lifestyle suggestions, giving restaurant, travel and cultural ideas in a blog format on its website, as well as hosting an online forum where like minded supporters can share their thoughts. This exciting new opening, only the fifth in the UK, will be located on Marylebone High Street, an already popular shopping destination with a range of high end shops already in situ including Links of London jewellers and The Conran Shop.

www.aubinandwills.com

Does Trevor Griffiths’ Comedians still stand up?

Friday, October 30th, 2009

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Trevor Griffiths’ 1975 play Comedians was voted one of the greatest works of the 20th century in a recent National Theatre poll, and has been taken up as an A-level set text. However, it’s not had a major London revival since its first production, which memorably introduced Jonathan Pryce to the stage. Sean Holmes’ debut for the Lyric Hammersmith rectifies this omission; a glittering first night featuring such eclectic figures as Lily Allen, Hanif Kureshi and Griffiths himself shows the esteem that the play is still held in.

The play is set in three acts of roughly equal length. In the first, a group of aspiring stand-up comedians are put through their paces by their teacher, a former comedy legend somewhat gone to seed, Eddie Waters (played by Matthew Kelly). A London talent agent Eddie Challoner (Keith Allen) has come up to see their acts, and they are nervous, except the mercurial Gethin, superbly played by David Dawson, who appears to have a plan up his sleeve. In the second act, it becomes quite clear what Gethin’s game is, and the final act explores the aftermath of their performances.

While very funny in places, Griffiths’ play isn’t exactly a comedy. Instead, it’s a searching and rigorous examination of what makes people laugh, and the reductive way in which tasteless and offensive humour becomes debased through repetition and acceptance. It has dated slightly in places, and some of the final act’s conflict feels slightly forced, but nonetheless this is a strong revival of a fascinating and provocative play.

Until 14 November. www.lyric.co.uk, Lyric Square, King St, London W6 0QL

Enron – does it live up to the hype?

Thursday, October 29th, 2009

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The most acclaimed new play of 2009, Lucy Prebble’s examination of the rise and fall of Enron received rapturous reviews upon its first production at the Chichester Festival Theatre, and then a sell-out run at the Royal Court. As it prepares for its West End transfer in 2010, it’s not hard to see why it has attracted such acclaim.

Directed by man-of-the-moment Rupert Goold, who has directed a bewilderingly large number of plays over the past couple of years, the production fairly fizzes with pace, wit and energy. Visually it’s stunning, thanks to clever use of video, puppetry and virtually every theatrical trick in the book, but this never detracts from the integrity of the performances or the writing. Prebble’s central thesis is to view Enron’s decline as both a precursor of the current credit crunch, but also as a cautionary metaphor for man’s hubris, making this a Shakespearean study of a great man undone by overreaching beyond his capabilities.

That ‘great man’ is Jeffrey Skilling, CEO of Enron, played by Samuel West in a performance that makes his character simultaneously loathsome, pitiable and oddly sympathetic. But there isn’t a weak link in the excellent cast, nor a dull moment in an enthralling play that actually manages to make the audience grasp, for the evening at least, the finer points of energy trading and marketing.

16 January – 10 May 2010, Noel Coward Theatre, 85-88 St Martin’s Lane, WC2.
www.enrontheplay.com

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