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Posts Tagged ‘music’

The Italian Job

Tuesday, May 17th, 2011

The dulcet tones of Italian singing sensation Mario Biondi are currently providing the soundtrack for the latest Peroni Nastro Azzurro ad campaign. Biondi is a multi-platinum selling soul star in his native Italy, and has DJ Norman Jay to thank for a strong and ever-growing following in the UK. We sat down with the soulful crooner himself to talk lyrics, luxury and life.

Q: Your cover of Temptations classic ‘My Girl’ really captures the essence of Italian ‘joie de vivre’. Why do you think Peroni approached you for the advertisement?

Peroni are known to work with people and brands that really capture the essence of Italy, as the brand does itself. I think my Italian heritage played a large part in their selection, as well as the deep, soulful tone of my voice for which I am known for across Italy. The Peroni advert was all about the unique and spontaneous Italian ‘joie de vivre’ that is unmatched by anyone else in the world, and I think that I’ve captured this in the past through a number of my songs.

Q: Do you think the advert has achieved what it set out to do?

Absolutely. We have managed to capture an authentic and beautiful Italian moment which conveys the charm and timeless elegance of an Italian summer. Much of the footage that was used in the final cut was footage that the crew caught off the cuff – things like the girl with rollers in her hair and the breaking lipstick were shots that captured that Italian essence in their own right. I think the soundtrack ties it all in perfectly.

Q: Where does the inspiration for your own music come from?

Me myself and I… I really have few outside influences when it comes to composing my own songs and writing lyrics. My music comes mostly from the mood that is inside my soul at any particular moment – I find that words come together from all sorts of areas.

Q: Your music seems like it is full of thought and colour. Would you say you could describe your music as a series of colours?

White is definitely a colour of my music, for its purity, and for being the colour of the conveying of real feelings. Yellow, too, for the warmness of the lower tones of my music, probably with a bit of black thrown in – capturing the romantic mood of my music (and corresponding with the fact that I usually compose at night!)

Q: How would you describe happiness in three words?

Joy, serenity, children

Q: And finally, what’s your definition of luxury?

Rather than measuring luxury by riches or finery, I take a different perspective and have a different perception of the term – my measure of luxury is more things like the way I feel when I’m in a creative zone, or in love even. This is when I am at my happiest, so I see these as life’s true luxuries.

www.mariobiondi.com

Watch the Peroni ad here

Down the Rabbit Hole

Friday, November 26th, 2010

The Late Night Chameleon Café, set to open this month, is a new concept store in East LondonThe Late Night Chameleon Café, set to open this month, is a new concept store in East London. Based on Shacklewell Lane, it seems pretty far off the beaten track to go hunting for luxury, but then, LN-CC, as it’s known, is all about having an entirely different experience. Half shop, half art installation, with an interior by set designer and illustrator Gary Card, LN-CC opens up, almost literally, a whole new world of high fashion shopping. What LN-CC has tried to do is create an “all-encompassing world”, and the fantastical interior certainly reflects a departure from the traditional retail experience.

We were escorted, not without some trepidation, down some steps to a basement where it was as if we had entered Wonderland. A nest-like tunnel made from twigs and branches (complete with bird noises) led us through to the main corridor, which is lined with orange Perspex. Off this corridor are rooms housing such labels as J.W. Anderson, Lara Bohinc, Preen, Rick Owens and Maison Martin Margiela. It feels rather like being in a warren. The first room, entitled the “warmth space”, is all in grey, has a rather stylish bunker-esque feel. The second room, appropriately entitled the “light space”, is an all-white concept, and feels airier. The third, the “earth space”,  is positively playful, with clothes rails constructed from pine and a tree house in the corner which a couple of fashion editors had already nestled into for the evening.

LN-CC is far more than just a clothing shop. It also offers books and music, all of which are carefully selected to reflect the tastes of the curators, and stored in the wood panelled “celestial space”. At the back there is also a gallery/club space with sound system and a bar where events can be hosted, and where, on this occasion, East London’s fashion elite had gathered to network and sip on the very strong drinks that were on offer.

LN-CC is a bit of a hike for those not native to East London, but given their aim to get away from the average shopping experience, this is perhaps no bad thing. It’s hardly the bland assurance of a department store, but as an experience it’s certainly worth a visit, particularly if you have an appreciation for quirky Japanese fashion and interior design. Viewings are by appointment only.

To arrange a visit, contact: appointments@ln-cc.com

The Golden Ticket

Thursday, July 1st, 2010

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Spending the weekend in the heart of a secret valley in the gorgeous Gloucestershire countryside doesn’t exactly sound like hard work, so I was more than happy to head along to the Winterwell Festival last Friday afternoon. Armed with my Fortnum’s hamper and a holdall full of festival chic, my guest and I set off along the M4 in the June sunshine. On arrival, a guitar-playing troubadour led us to our quarters for the weekend: a super-luxe tipi.

I’ve never been one to gloat, but heading into our 14ft tipi – complete with Moroccan lanterns, hand woven rugs and open fire – whilst other festival goers struggled with rickety tent poles and blow away gazebos, gave me that uneasy sense of satisfaction, even more so when the heavens opened and the rain began… Smug, Moi?

After unpacking and mourning the fact that I had forgotten to bring a torch and matches (spot the city girl) we took a trip down aptly named ‘buns of steel hill’, in search of five star festival fayre. We were rewarded with a bespoke ‘Pieminister’ pie, complete with herb mash and the finest flaking pastry this side of Glastonbury.

Onto the music… Some people might be put off by the lack of big names in the Winterwell line-up, but this is actually part of the festival’s genius! Instead of rushing around from stage to stage, fighting for space, you can amble along at your own pace listening out for something that is quite literally music to your ears, park up with your Pimms and take in the tunes.

The best sounds of the festival were belting out from the ‘Rockin Sizzle Suite’, a mish mash of Rockabilly and Motown with some hip-hop thrown in for good measure. Presiding over the evening was Gospel DJ Count Sizzle, giving the stage over to acts including the Still House Orchestra, who raised the tent with their fiery Johnny Cash and June Carter medley, and the bizarrely named Severed Limb, a contemporary Skiffle band sporting vintage tee’s, lashings of Brylcream and plenty of awkward charm.

Day Two: after a delightfully hot (that’s right hot) shower, and the sun doing just what a sun should be doing, we spent the morning lounging harem style on silk covered beds, feasting on Victoria Sponge in the vintage tea rooms. Winterwell’s airy charm is not as elusive as one might imagine. This year, the festival was taken over by the weird and wonderful world of Roald Dahl. Along with Golden Ticket Treasure Hunts and Twit’s Spaghetti Eating Competitions, the valley was alive with Oompa Loompa’s, Wonka Bars and even a Giant Peach or two – all in a bid to impress the quirky eye of the Fancy Dress intermediary. I was no exception to the costumed mayhem, but sadly, the indefinite appearance of a Glass Elevator spoiled my chance to take the golden ticket, and the unassuming shower curtain with flashing lights was the soon-to-be celebrity.

Returning to our tipi that night we arrived to find that our lanterns and fire had been lit and a rather lovely bottle of chilled Sauvignon Blanc had been delivered to our door – ‘glamping’ at its finest. As we sipped our wine and toasted marshmallows on the fire, Iberic chill-out sounds washed over the late night dancers and floated up the hill to the campsite – the perfect festival lullaby.

For more information on Winterwell, please visit www.winterwell.co.uk.

To book your accommodation in a luxury tipi, please visit www.bathbristoltipihire.co.uk

A Musical Wonderland

Friday, May 7th, 2010

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The BME is a long-anticipated interactive museum that celebrates 60 years of popular music in Britain. More than 100 artists have loaned more than £5million worth of musical memorabilia to the exhibition. Visitors have the rare opportunity to admire some of the most iconic items in British music history, from David Bowie’s ‘Ashes To Ashes’ clown suit to Noel Gallagher’s Union Jack Les Paul guitar.

Visitors are given a brief overview of the BME on arrival, and then head to the central hub of the exhibition, known as The Core. One of the key features here is an interactive map, showing you all the key associations of your favourite stars. For the musically inclined, you can visit the audio-visual feature booth, Dance The Decades,where you can embarrass your family and friends by attempting a series of classic routines ranging from the Hand Jive to the Macarena.  Wannabe Mark Ronsons or Phil Spectors should go to the Gibson Interactive Studio, where you can play around with producing and mixing famous songs.

Around The Core are seven rooms filled with an iconic selection of memorabilia from seven eras of sound in British music, from 1945 to 2009. Each room hosts an Aladdin’s Cave of musical trivia and memorabilia featuring everyone from the Beatles and Rolling Stones to The Who and Queen. Items on display include David Bowie’s Ziggy Stardust costume, a Jimi Hendrix outfit and, to bring things up to date, a series of Spice Girl outfits.

As the world’s leading music venue, it’s no surprise the BME is located at the O2. Having hosted legendary gigs by the likes of Led Zeppelin, Prince and Lady Gaga in the past, The O2 Arena is soon set to accommodate The Black Eyed Peas, Bon Jovi and Rod Stewart. While you’re there, take in a film at the cinema, visit one of the gourmet restaurants in the Entertainment Avenue or see a gig at The O2 Arena, as well as checking out the BME.

The BME is open from Mon to Sun, 11am to 7.30pm (Last entry is at 6.30pm). Find further details at www.britishmusicexperience.com

For VIP packages at the O2 please contact us at James.Bath@quintessentiallymusic.com

The Bond Effect

Monday, March 1st, 2010

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Gavin Bond, the maverick photographer of the fashion scene, will be giving us an insight into the minds of the biggest names in rock next month. His new exhibition of music photography at the Idea Generation gallery in London will give music fans an unprecedented backstage pass into the psyche of their idols, with Bond’s unique style getting under the skin of the rock star persona and exposing the individual underneath.

Images range from stunning personal portraits of Grace Jones and Ozzy Osbourne to innovative sequences of legendary bands such as The Killers and U2. Shooting backstage in private dressing rooms and through to the melodrama of onstage action, Bond’s camera lets no image go unnoticed and consequently his lens shows us moments and emotions we would never normally be allowed to see.

Bond’s inimitable ‘shoot from the hip’ style has led to him becoming the photographer de jour for leading music magazine Q and fashion magazine GQ, as well as Sony, Universal Pictures and PETA, who rely on Bond’s photographic energy to create their high profile campaigns. In the art world, Bond’s 2007 collaboration with Guy Hepner sold out within four days and went on to be auctioned at both Christies and Phillips de Pury in New York.

So what next for the man capable of getting Bono to go ape with a fire extinguisher? Well in true rock ‘n’ roll fashion he is currently on the road with US band Green Day, documenting their world tour. All this will be relived in his first book of photography, due for release at the end of this year. It isn’t hard to tell that Gavin Bond’s star is firmly in the ascendant, and with a surefire sell-out book in the pipeline, picking up a piece of Bond might just be the perfect investment…provided you like U2 of course.

For more information about the Gavin Bond: MUSIC exhibition visit www.gavinbondphotography.com.

Image by Gavin Bond.

You Are Not A Robot

Thursday, February 25th, 2010

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West London’s ornate Bush Hall recently played host to the woman we must call ’2010′s hottest pop sensation’, Marina and the Diamonds. The excellently-named Marina Diamandis (the ‘Diamonds’ part refers to her fans, rather than to her backing band, as might reasonably be supposed) has been tipped by music critics and pundits alike to be one of the most successful acts of the year. She’s been compared to singers as eclectic as Kate Bush, Alison Goldfrapp and, more tenuously, Britney Spears.

The amusing thing about Marina’s rise to fame is that it’s not some five-minute wonder, but the careful culmination of years of hard work. She might only be 24, but she originally attempted to start her career off treading the boards in the West End, before realising that her quirky talent was best expressed through creating her own songs, which have now been released on her debut album The Family Jewels, which has emerged to critical praise and healthy sales.

At her London gig to launch the album, the ever-glamorous Marina might have been feeling slightly under the weather – ‘I’ve got a fever, so I don’t want to sneeze over any of you’, she declared halfway through – but you’d never have known it from her stylish and thrillingly theatrical performance. With a powerful octave-spanning voice that seems more suited to arenas and festival fields that the comparatively bijoux surroundings of the Bush Hall, she performed most of the songs from her album with vim and pizzazz, thrilling the trendy Shepherd’s Bush crowd.

No mean shakes as a keyboardist, as shown by her performing solo at one point, she’s equally at home with finely crafted three minute pop songs (‘Hollywood’) and slowly unfolding torch songs (‘Obsessions). But the highlight of the night, as on album, is her beautiful paean to emotional insecurity, ‘I Am Not A Robot’, which was the first single that she released last year. Chances are that it’ll become one of the year’s defining songs come the festival period, and, on this showing, you wouldn’t begrudge her any of her success.

Find out more about Marina at www.marinaandthediamonds.com

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