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	<title>Quintessentially Insider &#187; Musical</title>
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		<title>Broadway To The West End&#8230;and back?</title>
		<link>http://members.quintessentially.com/insider/2010/01/19/broadway-to-the-west-end-and-back/</link>
		<comments>http://members.quintessentially.com/insider/2010/01/19/broadway-to-the-west-end-and-back/#comments</comments>
		<pubDate>Tue, 19 Jan 2010 12:44:25 +0000</pubDate>
		<dc:creator>David Villiers</dc:creator>
				<category><![CDATA[Blogs]]></category>
		<category><![CDATA[Culture]]></category>
		<category><![CDATA[Broadway]]></category>
		<category><![CDATA[Cameron Mackintosh]]></category>
		<category><![CDATA[Musical]]></category>
		<category><![CDATA[power]]></category>
		<category><![CDATA[The Old Vic]]></category>
		<category><![CDATA[Theatre]]></category>

		<guid isPermaLink="false">http://www.quintessentially.com/insider/?p=1855</guid>
		<description><![CDATA[<img src="http://www.quintessentially.com/insider/uploads/2010/01/broadway_thumb.jpg" alt="broadway_thumb" title="broadway_thumb" width="228" height="200" class="alignnone size-full wp-image-1902" />
British plays are now opening with American casts, and vice versa. What kind of precedent is this setting? And how, exactly, is Sir Cameron Mackintosh involved? ]]></description>
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		<title>Cinema Italiano</title>
		<link>http://members.quintessentially.com/insider/2010/01/05/cinema-italiano/</link>
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		<pubDate>Tue, 05 Jan 2010 12:19:23 +0000</pubDate>
		<dc:creator>Harry Hughes</dc:creator>
				<category><![CDATA[Blogs]]></category>
		<category><![CDATA[Culture]]></category>
		<category><![CDATA[Daniel Day-Lewis]]></category>
		<category><![CDATA[Fergie]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[Italy]]></category>
		<category><![CDATA[Musical]]></category>
		<category><![CDATA[Oscar]]></category>
		<category><![CDATA[Penelope Cruz]]></category>

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		<description><![CDATA[<img src="http://www.quintessentially.com/insider/uploads/2010/01/Nine_thumb.jpg" alt="Nine_thumb" title="Nine_thumb" width="228" height="200" class="alignnone size-full wp-image-1769" />
In Nine, Chicago director Rob Marshall’s highly anticipated new film, loosely based on Federico Fellini’s 8 ½, the legendary Daniel Day-Lewis plays the womanising anti-hero Guido Contini. Guido is a highly respected filmmaker whose latest offering is at crisis-point for want of a script, and more importantly, the inspiration to write one. ]]></description>
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