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Posts Tagged ‘Saatchi Gallery’

THE MAN WITH A CHILD IN HIS EYES

Wednesday, July 28th, 2010

Sacha Jafri, the London based painter, is now considered one of the world’s leading young artists. His paintings investigate the human being, and the intrinsic relationships with surrounding environments. Quintessentially Art had the opportunity to meet with him, and discuss what makes him paint, his interests,
and his upcoming series ‘Universe of the Child’.

You’re known for your visually strong paintings. Why painting of all mediums?

Painting is what really inspires me. It is the most tangible of expressions for me in that I am very much a painter of the 70s or a purist painter. The thing now is that there is a lot of concentration on the finished product; my work is very much not about that. It’s sort of the antithesis of that, it’s about creation of the product and the best thing I can do is paint.

What do you mean by the theme of magic and a style of magical realism and how do you use these themes in your work?

It’s not really a theme of magic, it’s making your world, your reality that you know and recognise and awakening something that was maybe sleeping. It’s a bit like an electric shock to the senses. Magical realism is about the viewer being able to dip in and become part of it but it’s not material enough to one you know, you become part of that and you start competing the narrative.

What are the main themes that you have painted so far?

All of my paintings are about human beings, how we fit into our natural surroundings, how we relate to each other and to our surroundings both natural and man-made; how we converse with each other. Within that, there are different narratives told, within that there are different paths of subconscious. Some of it is very deep; its more about a journey or an investigation into the subconscious which becomes more about the dream world and some of it is more lucid and more about the world and what is around us when we are awake. It’s all about people, all about narratives and all about relationships.

You are now working on a series called ‘Universe of the Child’ – What is that about?

It started in Darfur. I realised that I didn’t want to paint about the darkness of humanity but about the strength of humanity, in what is amazing and inspiring. I found the only way to get to the truth in these countries, to get something different, poignant, and to find the truth, would be to work with children. They have a purity and they have a truth that is quite amazing. The idea is that it would be the essence of the country through the eyes, heart, mind, soul of a child you would find the essence of the country. It’s quite a big journey which is exciting.

To find out more about Sacha Jafri and his upcoming exhibition at the Saatchi Gallery, contact Diana.Graham@QuintessentiallyArt.com.

The Empire Strikes Back: Indian Art Today

Tuesday, February 2nd, 2010

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It was with mixed anticipation that the opening of Saatchi’s ‘The Empire Strikes Back: Indian Art Today‘ kicked off. On the one hand, the excitement at the replacement of the extended ‘Abstract America’ show but on the other – contemporary Indian art? Wasn’t Delhi ‘the new art hotspot’ some time ago now? Indeed as the contemporary art world ground to a halt some eighteen months ago the new Indian art market had barely got off the ground.

Saatchi has returned the spotlight to the subcontinent supporting both emerging and established names. With 24 artists, ‘of Indian origin’ involved, the whopping great space has been used cleverly and curatorially the exhibition looks stunning – evenly spaced with enough room for each piece to breathe on its own. Some quite literally – a stack of nine mattresses were inflating up and down on top of a rickety hospital bed – without toppling just about – all in the name of ‘social utilitarianism.’

The pieces were hugely varied in tone and style perhaps at the detriment of the show altogether. Lacking in uniformity or any coherent narrative theme, chaos reigns. It is this paradox of dark and light of optimism and pessimism that stands clear. With works seeped in political commentary from the violent terrors of the past to present day immigration problems, everything is covered. It is this rather simplistic, obvious perhaps, tackling of such a vastly complex continent that requires deep, contemplative thought to be fully appreciated, that the show loses its way a little. Lumped together you’ve got East-West tension, rising consumerism versus manual labour, global-local problems – it’s as though they’ve tried to jostle all these things up together without really getting under the skin of any of them. As an artist who I met at the reception commented, ‘they lack enigma.’

However in terms of wow factor it’s all there – naturally Subodh Gupta’s brilliant stainless steel cooking utensil creations, Jitish Kallat’s sculpture ‘Eruda’ is truly captivating, Tate Triennial star Shezad Dawood’s plinths are stunning and look out for some startling taxidermy pieces by the lesser known Huma Mulji. It’s all on a plate.

The Empire Strikes Back: Indian Art Today is on at the Saatchi Gallery until 7th May. For more details, visit www.saatchi-gallery.co.uk.

Artistic Homage at the Saatchi Gallery

Thursday, January 28th, 2010

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However many times he gets it wrong, which is, it must be said, not that often, Charles Saatchi has undoubtedly offered an almighty platform of an exhibition space that exposes otherwise little-known works to millions each year.

With this in mind it is thanks to him that the mind-blowing piece ‘American Servicemen and Women Who Have Died in Iraq and Afghanistan (But not Including the Wounded, Nor the Iraqis nor the Afghanis)’ by the previously anonymous San Franciscan artist Emily Prince has a place to be see,n and deservedly so.

I cannot urge you enough to see for yourself this extraordinary homage to the human sacrifice that has been made by our fellow man. The scale itself, comprised of some 5213 pencil drawings to be precise, is enough to make anyone stop, stand and stare. Each drawing is an individual portrait with the serviceman/woman’s name, age and date of death written on above or below and have been arranged chronologically. On close inspection, the delicate draughtsmanship and attention to detail is clear. It is this sense of humanity that runs through the piece – a humanity that engages and speaks to our core. Proving that faddish special effect, big concepts and attention grabbing media are unnecessary in the name of art, Prince has taken on a brave and beautiful project that will only be complete on the last day of the war – when there are no more portraits to be drawn.

Image: Emily Prince ‘American Servicemen and women who have died in Iraq and Afghanistan (but not including the wounded nor the Iraqis nor the Afghans),’ 2004 – present, pencil on colour coded vellum. Courtesy of the Saatchi Gallery.

Look out for my write-up of The Empire Strikes Back: Indian Art Today later this week and don’t forget Quintessentially Art’s tour of the exhibition this coming Saturday 29th. To find out more email art@quintessentially.com

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