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Posts Tagged ‘Saatchi’

Deep and Meaningful

Wednesday, June 30th, 2010

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Make sure you catch the private view of Deep and Meaningful by BFA Ruskin graduate Oliver Beer this Thursday.  Fusing film, photography, music and performance – Beer has an encompassing practice and excitingly original and articulate means of expression.

Since his selection as winner of Saatchi’s ’4 New Sensations’ 2009 exhibition, Beer has been living it up in Paris but has come back to the UK with an almighty and strikingly beautiful new body of work as part of his ongoing ‘Resonance Project.’ Quick breakdown for you: ‘The Resonance Project’ consists of films, sound pieces and performances that use the human voice to stimulate architectural spaces to reverberate at their resonant frequencies, transforming them into vast architectural instruments. Every room, every space, has its own particular frequency, ie. a room can approximate the synthy song of a finger tracing a wine glass rim.

This series has led Beer to work in extraordinary architectural and social contexts, from the transparent skyline-tunnels of the Pompidou Centre to the austerity of a Renaissance monastery; and most recently a Victorian sewer network in Brighton resulting in Deep and Meaningful. For which Beer, in Pied Piper style, led a group of chanting choristers beneath the sunny seaside town echoing their way through the ancient maze of tunnels. The result, both audio and visual, is extraordinary. Uber-collector Anita Zabludowicz has been prowling after him amongst others. See and listen for yourself what Oliver Beer is all about.

Location: Upstairs Galleries at 20 Hoxton Square

Date:  1st July

Time: 7.00 pm – 9.00 pm

Exhibition will last until 24th July

For more information check out www.murmurart.com

The Saatchi Factor

Monday, December 14th, 2009

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As The X Factor finishes, so does the Saatchi Factor. The winner of the BBC programme School of Saatchi is set to be revealed. From the six budding artists, only one will be part of the ‘Newspeak: British Art Now’ exhibition at the Hermitage and enjoy a free three year lease of their own studio.

Saatchi’s right-hand woman, Rebecca Wilson, says “the aim was not for something where every week somebody would get thrown out of the art competition” but she explains that the six were chosen for their potential to develop over a 10-week period. It’s neck and neck at the moment between Saad Qureshi, at the Slade school of fine art and Matt Clark, a Central St. Martins graduate.

Qureshi produced a thoroughly Saatchi-esque piece last week, as towers of home-made chapattis were lain on a rug much to the surprise of Sudeley Castle chatelaine Lady Ashcombe. Sudeley played host to the rising stars for last week’s commission, which was highly entertaining, if only for the public’s reactions – ‘I wouldn’t want to wake up to that on my wall’ and so on. Qureshi’s work was typically Saatchi, of bold scale, high impact visuals and unexpected use of materials, was said to have been highlighted by the ever-elusive godfather of contemporary art himself.

Matt Clark filled a glass bowl with red liquid, which, with a prism inside, was hung from the ceiling of Sudeley Castle’s chapel. The reflection of the surrounding stained glass windows through the highly reflective sphere was splendid – the simplicity of form, deep colour and rich associative suggestions worked brilliantly together. Clark has consistently produced thoughtful and mature works over the course of the programme without resorting to attention grabbing statements, heart-tugging storylines or complex techno wizardry.

Patron or player? Utterly genuine in his support for emerging artists, let’s not forget the overall winner here is the ever-absent Saatchi himself. As Matthew Collings, critic and panellists on the show observed, “he’s not a saint, he wants the public to pay attention to him and take notice of him.” Tick!

Image by BBC/Princess Productions/Katie Hyams

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