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Posts Tagged ‘Stella McCartney’

Through The Looking Glass

Wednesday, February 24th, 2010

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If you see a white rabbit running down Oxford Street over the coming weeks, don’t be so surprised. London is about to fall through the looking glass and straight into Wonderland. It would seem that the entire city is drawing inspiration from Tim Burton’s latest screen extravaganza and just about everyone wants a piece of Alice.

In honour of the film, Britain’s top designers are coming together to re-invent this classic children’s heroine. Stella McCartney has teamed up with Disney for a range of Wonderland jewellery, including charm bracelets and necklaces with playing cards and Mad Hatter’s hats topped with Swarovski crystals, all in her signature muted palettes.

If a bauble on your wrist isn’t enough to satisfy your craving for an Alice fix then head to Alice Temperley, where thanks to the new Alice Spring/Summer collection you can dress yourself from head to toe in the style of your favourite rabbit-chasing icon. Temperley’s polka dot Tiger shorts, broderie anglaise Bluebell shirt and the delightfully named Mini Tiddles dress will have you reaching for an Aliceband faster than you can say Jabberwocky.

Alice and her wardrobe are firmly on the fashion agenda for this season and if you want to be the first to pick up your slice of the Wonderland pie then head to Selfridges on Oxford Street from the 22nd of February where inside the newly created pop up Wonder Room you will find everything you could possibly need to channel your inner Alice.

This is certainly a trend that will continue to get ‘curiouser and curiouser’ as it grows, but don’t let that hold you back. Embrace the fairytale and indulge in this seasons fantastical fashions, just be careful you don’t lose your head.

Mr Cool At The Hayward

Tuesday, January 5th, 2010

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‘Cool to the core,’ the Hayward Gallery has played host to ‘Ed Ruscha: Fifty years of painting’ to an almighty reception since October. Now with only six days left, there’s precious little time to take a look at Ruscha’s first solo retrospective ever to be held in London, which none other than Stella McCartney described as ‘…sleek…sharp…stylish…simply stunning. He is his work.’ As it’s made up of some 70 paintings we lose out on his noted photographic and paper works, but we are able to wholly appreciate his individual approach to translating contemporary America onto canvas to notable effect.  Strong visuals, cool pastiches and clean execution are the essential components to the mid-westerner’s signatory style.

His ability to extract cultural signs and national motifs and load them with meaning is striking. His pictorial imagination allows him to float above the labels his fellow contemporaries had stuck on – Pop, Dada et al don’t really fit the bill as you’ll see for yourself. Ruscha has carved out a truly singular approach to painting. Fuelled by his obsession with typography and abstraction, he scrambles American lightweight commercialism into more engaging pieces more engaging – petrol stations, logos, letters are depicted in such a way their shapes, angles and colours take on greater significance than within their American landscape. It is this fixation with the physicality of the country’s icons – from the highway, the street, the prairie – that drove Ruscha to turn them on their head and turn heads at the same time.

Standard Station 1966, copyright of Ed Ruscha, courtesy of Private Collection, 2009 Photo: Paul Ruscha

For more information visit  www.southbankcentre.co.uk

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