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	<title>Quintessentially Insider &#187; The Old Vic</title>
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		<title>Keeping It Real</title>
		<link>http://members.quintessentially.com/insider/2010/04/29/keeping-it-real/</link>
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		<pubDate>Thu, 29 Apr 2010 13:55:10 +0000</pubDate>
		<dc:creator>Alex Larman</dc:creator>
				<category><![CDATA[Blogs]]></category>
		<category><![CDATA[Culture]]></category>
		<category><![CDATA[Hattie Morahan]]></category>
		<category><![CDATA[London]]></category>
		<category><![CDATA[The Old Vic]]></category>
		<category><![CDATA[Theatre]]></category>
		<category><![CDATA[Toby Stephens]]></category>
		<category><![CDATA[Tom Stoppard]]></category>

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		<description><![CDATA[<img src="http://www.quintessentially.com/insider/uploads/2010/04/realthing-228x200.jpg" alt="realthing-228x200" title="realthing-228x200" width="228" height="200" class="alignnone size-full wp-image-2699" />

The Old Vic's excellent new production of Tom Stoppard's play The Real Thing is the first major revival since Stephen Dillane and Jennifer Ehle played the playwright Henry and his actress wife Annie at the Donmar]]></description>
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		<title>Broadway To The West End&#8230;and back?</title>
		<link>http://members.quintessentially.com/insider/2010/01/19/broadway-to-the-west-end-and-back/</link>
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		<pubDate>Tue, 19 Jan 2010 12:44:25 +0000</pubDate>
		<dc:creator>David Villiers</dc:creator>
				<category><![CDATA[Blogs]]></category>
		<category><![CDATA[Culture]]></category>
		<category><![CDATA[Broadway]]></category>
		<category><![CDATA[Cameron Mackintosh]]></category>
		<category><![CDATA[Musical]]></category>
		<category><![CDATA[power]]></category>
		<category><![CDATA[The Old Vic]]></category>
		<category><![CDATA[Theatre]]></category>

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British plays are now opening with American casts, and vice versa. What kind of precedent is this setting? And how, exactly, is Sir Cameron Mackintosh involved? ]]></description>
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