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Posts Tagged ‘West End’

The Ultimate Cocktail List

Tuesday, July 27th, 2010

Straight ahead there is a Persian indigo portal to a dimly lit room; we enter to find the friend we are meeting sitting by the bar sipping a glass of champagne. It is instantly clear why this is called the Purple Bar – your eyes dance around the shades of purple which adorn this luxurious space; flickering between the comfortable seating which would not be out of place at a mad hatters tea party, and then to the engravings on the mirrors reminiscent of a child’s jewellery box, and finally to the huge slab of stone that forms the bar.

To mark their ten year anniversary, Roland, Purple Bar’s chief mixologist and manager, has scoured the globe to create some truly unique cocktails. Six are featured on this “Ultimate” cocktail list and each brings something different to the table, making for a well balanced line-up. Not the most expensive, but the most fascinating, is the ‘Manhattan 1913’, made using the last bottle of pre-Prohibition McBrayer Bourbon 1913. This drink stimulates the imagination to thoughts of speakeasies, rag time and booze running; history embodied. Then there’s the ‘B&B King’; Brandy and Benedictine was one of the favourite cocktails of the 1940s and Purple Bar have brought it back to life using extremely rare ingredients. Roland mixes one for me and displays the blue blaze technique which is both practical and jaw-dropping, illuminating the room with a tinge and opening up the cocktail. ‘The Proposal’ is another interesting idea on this list but for a very different reason. The drink is actually two flutes of a cocktail using Dom Perignon Oenotheque 1995 as its base with an engagement ring in between them, the perfect way to pop the question.

These drinks mirror the ideology of Purple Bar; the venue is luxurious but not just for the sake of it. Roland’s list is not just the most expensive bottles of spirits blended together to sound good, it is a well thought out combination, and quite ingenious. These drinks are made from the best ingredients, regardless of cost, but in many cases a more expensive brand has been forgone for a superior one. This is the way that any pursuit of perfection has to be.

We move onto the “Divine” list. A collection of cocktails using pure chocolate, melted down, then blended seamlessly with a variety of spirits, to create a drink unique to this bar. The use of real chocolate gives this drink a rich smoothness, yet it remains light; perfect for an after dinner treat. I have never come across a drink where this execution is used with these ingredients.

Aside from the lists that Purple Bar has developed the talented bar staff will mix your requests or suggest a few drinks that aren’t on the list. Everything here is top shelf, not just the spirits, and the service and attention to detail are unsurpassed. This comfortable venue, delicious drinks and warm hospitality made me want to stay throughout the night but unfortunately pressing engagements, which I had already pushed back half an hour, beckoned and we strolled off into the Soho night…

For more information, please click here

‘Darling, I was marvellous’ – the theatre awards begin

Thursday, November 12th, 2009

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With the Evening Standard publishing the shortlist for their annual theatre awards, tongues have started wagging among the theatrical community. Of course, those in the know are all too aware that the winners have already been decided, and the powers that be are already trying to ensure that the right bums are on the right seats come the 23rd November.

Anyone who has paid any attention to these events in the past will immediately know that the awards will be distributed on a highly political level. I would be very surprised if we didn’t see a wave of support for the highly acclaimed Jerusalem and Enron. Strategic awarding will probably mean we see the Best Play award go to Jez Butterworth, and Best Actor to Mark Rylance for Jerusalem, leaving Best Director to go to Rupert Goold for Enron. This may seem incredibly cynical, but having spent many years in and around the theatre industry, I don’t expect to be wrong, particularly in light of the fact that both transfer to the West End imminently, and let’s face it, sales are never guaranteed, so any help is always welcomed.

The good news is that this does leave the other categories open, allowing them to award some much more interesting choices, such as Best Actress to Deanna Dunagan, repeating her Tony Award win, for August: Osage County and Best Musical to Spring Awakening. Having seen this show at both the Lyric, Hammersmith and the Novello, upon its West End transfer, it was perhaps once of the most vibrant, exciting and wonderfully conceived musicals I have seen in the last five years. It was further enhanced perhaps, by the fact that I expected not to like it at all!

Sadly, the cynic in me does say “Ah, but wouldn’t that award be a huge help to getting the Open Air Theatre’s production of Hello Dolly into town?”, and yes, he is probably right. Good job I like Samantha Spiro, a superb actress and deserving of a West End musical run, following her acclaimed turns in Merrily We Roll Along and Funny Girl. So we wait for the 23rd with baited breath.

One thing is always for certain; it’s all good for the London theatre industry, and therefore the theatregoing public.

Enron – does it live up to the hype?

Thursday, October 29th, 2009

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The most acclaimed new play of 2009, Lucy Prebble’s examination of the rise and fall of Enron received rapturous reviews upon its first production at the Chichester Festival Theatre, and then a sell-out run at the Royal Court. As it prepares for its West End transfer in 2010, it’s not hard to see why it has attracted such acclaim.

Directed by man-of-the-moment Rupert Goold, who has directed a bewilderingly large number of plays over the past couple of years, the production fairly fizzes with pace, wit and energy. Visually it’s stunning, thanks to clever use of video, puppetry and virtually every theatrical trick in the book, but this never detracts from the integrity of the performances or the writing. Prebble’s central thesis is to view Enron’s decline as both a precursor of the current credit crunch, but also as a cautionary metaphor for man’s hubris, making this a Shakespearean study of a great man undone by overreaching beyond his capabilities.

That ‘great man’ is Jeffrey Skilling, CEO of Enron, played by Samuel West in a performance that makes his character simultaneously loathsome, pitiable and oddly sympathetic. But there isn’t a weak link in the excellent cast, nor a dull moment in an enthralling play that actually manages to make the audience grasp, for the evening at least, the finer points of energy trading and marketing.

16 January – 10 May 2010, Noel Coward Theatre, 85-88 St Martin’s Lane, WC2.
www.enrontheplay.com

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